My Highlights from Collective 2
Property from the Jacqueline Fowler Collection
Executed 1966-1968, this work is unique.
Signature: incised with the artist’s signature and date 66-68 on the base
New York, Solomon R. Guggenheim Museum, George Rickey, September - October 1979, cat. no. 42
Vera G. List, Greenwich, Connecticut (acquired directly from the artist in September 1968)
Sotheby's, New York, 13 November 2003, Lot 105
Acquired from the above sale by the present owner
George Rickey is known for abstract kinetic sculptures, inspired by Alexander Calder’s mobiles and the geometric forms of Constructivism. “His work was in step with new sculpture trends toward abstract simplification,” wrote New York Times critic Ken Johnson. Yet, slight variations in air currents could make the sculptures—comprised of lines, planes, rotors, volumes, and churns—oscillate or gyrate, an effect translated especially impressively in his large-scale works. For instance, passing breezes cause the stainless steel bars to pivot 360 degrees around a central post in the enormous Two Lines up Eccentric VI (1977), forming graceful patterns against the sky. Unlike his peer in kinetic sculpture, Jean Tinguely, Rickey never used internal motors or engines to power his sculptures’ movement.
American, 1907-2002, South Bend, Indiana, based in Saint Paul, Minnesota