George Segal
Woman with Sunglasses on Bench, 1983
Property from the Miles and Shirley Fiterman Collection
Conceived in 1983, this work is from an …
Read moreProperty from the Miles and Shirley Fiterman Collection
Conceived in 1983, this work is from an edition of 5 plus 2 artist's proofs.
figure 47 x 40 x 39 in. (119.4 x 101.6 x 99.1 cm.)
bench 31 3/4 x 71 7/8 x 22 in. (80.6 x 182.7 x 55.9 cm.)
overall 47 x 71 7/8 x 39 in. (119.4 x 182.7 x 99.1 cm.)
Guaranteed Property …
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Whether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s …
Read moreWhether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s unfolding drama (Abraham’s Farewell to Ishmael, 1987), George Segal’s life-size human figures express the fragility of the human condition. Hyperrealism, achieved by making full-body casts of live models using plaster …
Read moreProperty from the Miles and Shirley Fiterman Collection
Conceived in 1983, this work is from an …
Read moreProperty from the Miles and Shirley Fiterman Collection
Conceived in 1983, this work is from an edition of 5 plus 2 artist's proofs.
figure 47 x 40 x 39 in. (119.4 x 101.6 x 99.1 cm.)
bench 31 3/4 x 71 7/8 x 22 in. (80.6 x 182.7 x 55.9 cm.)
overall 47 x 71 7/8 x 39 in. (119.4 x 182.7 x 99.1 cm.)
Guaranteed Property …
Read moreWhether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s …
Read moreWhether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s unfolding drama (Abraham’s Farewell to Ishmael, 1987), George Segal’s life-size human figures express the fragility of the human condition. Hyperrealism, achieved by making full-body casts of live models using plaster …
Read more
