George Segal, ‘Woman with Sunglasses on Bench’, 1983, Phillips
George Segal, ‘Woman with Sunglasses on Bench’, 1983, Phillips
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George Segal

Woman with Sunglasses on Bench, 1983

Painted bronze on cast iron bench
Edition of 5 + 2AP
Bidding closed
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About the work
Provenance
P
Phillips

Property from the Miles and Shirley Fiterman Collection

Conceived in 1983, this work is from an …

Read more

Property from the Miles and Shirley Fiterman Collection

Conceived in 1983, this work is from an edition of 5 plus 2 artist's proofs.

figure 47 x 40 x 39 in. (119.4 x 101.6 x 99.1 cm.)
bench 31 3/4 x 71 7/8 x 22 in. (80.6 x 182.7 x 55.9 cm.)
overall 47 x 71 7/8 x 39 in. (119.4 x 182.7 x 99.1 cm.)

Guaranteed Property …

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George Segal
American, 1924–2000
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Whether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s …

Read more

Whether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s unfolding drama (Abraham’s Farewell to Ishmael, 1987), George Segal’s life-size human figures express the fragility of the human condition. Hyperrealism, achieved by making full-body casts of live models using plaster …

Read more
George Segal, ‘Woman with Sunglasses on Bench’, 1983, Phillips
George Segal, ‘Woman with Sunglasses on Bench’, 1983, Phillips
Save
Save
share
Share
Save
Save
share
Share
About the work
Provenance
P
Phillips

Property from the Miles and Shirley Fiterman Collection

Conceived in 1983, this work is from an …

Read more

Property from the Miles and Shirley Fiterman Collection

Conceived in 1983, this work is from an edition of 5 plus 2 artist's proofs.

figure 47 x 40 x 39 in. (119.4 x 101.6 x 99.1 cm.)
bench 31 3/4 x 71 7/8 x 22 in. (80.6 x 182.7 x 55.9 cm.)
overall 47 x 71 7/8 x 39 in. (119.4 x 182.7 x 99.1 cm.)

Guaranteed Property …

Read more
George Segal
American, 1924–2000
Follow

Whether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s …

Read more

Whether portraying modern couples sitting in a park (Gay Liberation, 1980), or a biblical family’s unfolding drama (Abraham’s Farewell to Ishmael, 1987), George Segal’s life-size human figures express the fragility of the human condition. Hyperrealism, achieved by making full-body casts of live models using plaster …

Read more

George Segal

Woman with Sunglasses on Bench, 1983

Painted bronze on cast iron bench
Edition of 5 + 2AP
Bidding closed
Want to sell a work by this artist? Learn more.