George Wesley Bellows
A Stag at Sharkey's, 1917
signed and titled in pencil, numbered 'No. 73' (the edition was 98), with margins, a richly …
Ashcan school member George Bellows painted observant, grittily realistic images of early 20th-century urbanity. Though trained in America, he was interested in European art and helped organize the groundbreaking 1913 Armory Show. Bellows' portrayals of boxers and tenement dwellers were executed in a loose, somewhat impressionistic style, with bold brushstrokes, thick paint, and a muted color palette. He also painted members of his circle in portraits, as well as seascapes and landscapes of the Northeast. In his later works, Bellows explored more modern ideas of color and composition, before his unexpected death at the height of his prowess due to appendicitis complications.
signed and titled in pencil, numbered 'No. 73' (the edition was 98), with margins, a richly inked impression, mat staining, generally in good condition, framed
Image: 18 5/8 x 23 7/8 in. (474 x 606 mm.)
Sheet: 21 ¼ x 26 ¼ in. (547 x 667 mm.)
From the Catalogue:
George Bellows, like his mentors John Sloan and …
Ashcan school member George Bellows painted observant, grittily realistic images of early 20th-century urbanity. Though trained in America, he was interested in European art and helped organize the groundbreaking 1913 Armory Show. Bellows' portrayals of boxers and tenement dwellers were executed in a loose, somewhat impressionistic style, with bold brushstrokes, thick paint, and a muted color palette. He also painted members of his circle in portraits, as well as seascapes and landscapes of the Northeast. In his later works, Bellows explored more modern ideas of color and composition, before his unexpected death at the height of his prowess due to appendicitis complications.
