Georges Braque, ‘Nature Morte aux Peches (Still Life with Peaches)’, 1920, Yale University Art Gallery
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Georges Braque

Nature Morte aux Peches (Still Life with Peaches), 1920

Oil on canvas
12 3/5 × 21 9/10 in
32.1 × 55.6 cm
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About the work
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Painting
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Image provided by Yale University Art Gallery / © Georges Braque / Artists Rights Society (ARS), New York / ADAGP, Paris
Georges Braque
French, 1882–1963
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French painter, collagist and sculptor Georges Braque is, along with Pablo Picasso, renowned as the co-founder of Cubism, which revolutionized 20th-century painting. In his work, objects are fragmented and reconstructed into geometric forms, fracturing the picture plane in order to explore a variety of viewpoints. “The hard-and-fast rules of perspective … were a ghastly mistake which…has taken four centuries to redress,” he said in 1957. Merging aspects of the sculptural with the pictorial, Braque was also an innovator in the use of collage, inventing a technique known as papier collé, which he first explored in one early work Fruit Dish and Glass (1912) by attaching pieces of wallpaper to a charcoal drawing. This approach deeply influenced not only his contemporaries but generations of artists from Modernism to the present.

Georges Braque, ‘Nature Morte aux Peches (Still Life with Peaches)’, 1920, Yale University Art Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Painting
Image rights
Image provided by Yale University Art Gallery / © Georges Braque / Artists Rights Society (ARS), New York / ADAGP, Paris
Georges Braque
French, 1882–1963
Follow

French painter, collagist and sculptor Georges Braque is, along with Pablo Picasso, renowned as the co-founder of Cubism, which revolutionized 20th-century painting. In his work, objects are fragmented and reconstructed into geometric forms, fracturing the picture plane in order to explore a variety of viewpoints. “The hard-and-fast rules of perspective … were a ghastly mistake which…has taken four centuries to redress,” he said in 1957. Merging aspects of the sculptural with the pictorial, Braque was also an innovator in the use of collage, inventing a technique known as papier collé, which he first explored in one early work Fruit Dish and Glass (1912) by attaching pieces of wallpaper to a charcoal drawing. This approach deeply influenced not only his contemporaries but generations of artists from Modernism to the present.

Georges Braque

Nature Morte aux Peches (Still Life with Peaches), 1920

Oil on canvas
12 3/5 × 21 9/10 in
32.1 × 55.6 cm
Want to sell a work by this artist? Consign with Artsy.
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