Georges Rouault, ‘Demoiselle d'honneur de Ranavalo’, 1915, Artrust
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Georges Rouault

Demoiselle d'honneur de Ranavalo, 1915

Mixed media on paper
12 3/5 × 7 1/10 in
32 × 18 cm
.
Contact For Price
Location
Melano
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About the work
Medium
Signature
On the top, right
Image rights
Artrust SA
Georges Rouault
French, 1871–1958
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A pioneering expressionist painter (influenced by the German Expressionists, though not formally associated with that group), Georges Rouault created pictures recognizable for the thick black brushstrokes that outline their subjects, as in le lutteur, no. 3 (1913). Rouault’s works resemble the cloissonisme of decorative glasswork, a look often attributed to the artist’s teenage years spent as a glass painter’s apprentice. In 1891 Rouault enrolled at the École des Beaux-Arts and studied closely under Symbolist Gustave Moreau. He later associated with the Fauvists and collaborated with Henri Matisse and André Derain to organize the Salon d’Automne, an exhibition of progressive art rejected by the more conservative Paris Salon. But rather than create pleasing “armchair” pictures like those of many of his contemporaries, Rouault applied his rough painterly style to religious subjects, clowns, and circus performers, using these motifs to reflect on religion, morality, and modern life.

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Georges Rouault, ‘Demoiselle d'honneur de Ranavalo’, 1915, Artrust
Navigate right
Save
Save
View
View in room
Share
Share
About the work
Medium
Signature
On the top, right
Image rights
Artrust SA
Georges Rouault
French, 1871–1958
Follow

A pioneering expressionist painter (influenced by the German Expressionists, though not formally associated with that group), Georges Rouault created pictures recognizable for the thick black brushstrokes that outline their subjects, as in le lutteur, no. 3 (1913). Rouault’s works resemble the cloissonisme of decorative glasswork, a look often attributed to the artist’s teenage years spent as a glass painter’s apprentice. In 1891 Rouault enrolled at the École des Beaux-Arts and studied closely under Symbolist Gustave Moreau. He later associated with the Fauvists and collaborated with Henri Matisse and André Derain to organize the Salon d’Automne, an exhibition of progressive art rejected by the more conservative Paris Salon. But rather than create pleasing “armchair” pictures like those of many of his contemporaries, Rouault applied his rough painterly style to religious subjects, clowns, and circus performers, using these motifs to reflect on religion, morality, and modern life.

Georges Rouault

Demoiselle d'honneur de Ranavalo, 1915

Mixed media on paper
12 3/5 × 7 1/10 in
32 × 18 cm
.
Contact For Price
Location
Melano
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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