Georges Rouault, ‘Femme Fière from Les Fleurs du Mal’, 1938, Rago/Wright
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Georges Rouault

Femme Fière from Les Fleurs du Mal, 1938

Aquatint in colors (framed)
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About the work
RW
Rago/Wright

12" x 8" (plate)

Publisher: Ambroise Vollard, Paris

Literature: Chapon & Rouault 275b

Medium
Signature
Signed and dated in plate
Georges Rouault
French, 1871–1958
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A pioneering expressionist painter (influenced by the German Expressionists, though not formally associated with that group), Georges Rouault created pictures recognizable for the thick black brushstrokes that outline their subjects, as in le lutteur, no. 3 (1913). Rouault’s works resemble the cloissonisme of decorative glasswork, a look often attributed to the artist’s teenage years spent as a glass painter’s apprentice. In 1891 Rouault enrolled at the École des Beaux-Arts and studied closely under Symbolist Gustave Moreau. He later associated with the Fauvists and collaborated with Henri Matisse and André Derain to organize the Salon d’Automne, an exhibition of progressive art rejected by the more conservative Paris Salon. But rather than create pleasing “armchair” pictures like those of many of his contemporaries, Rouault applied his rough painterly style to religious subjects, clowns, and circus performers, using these motifs to reflect on religion, morality, and modern life.

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Georges Rouault, ‘Femme Fière from Les Fleurs du Mal’, 1938, Rago/Wright
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Save
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About the work
RW
Rago/Wright

12" x 8" (plate)

Publisher: Ambroise Vollard, Paris

Literature: Chapon & Rouault 275b

Provenance: Private Collection, California

From an unsigned edition of 250

Medium
Signature
Signed and dated in plate
Georges Rouault
French, 1871–1958
Follow

A pioneering expressionist painter (influenced by the German Expressionists, though not formally associated with that group), Georges Rouault created pictures recognizable for the thick black brushstrokes that outline their subjects, as in le lutteur, no. 3 (1913). Rouault’s works resemble the cloissonisme of decorative glasswork, a look often attributed to the artist’s teenage years spent as a glass painter’s apprentice. In 1891 Rouault enrolled at the École des Beaux-Arts and studied closely under Symbolist Gustave Moreau. He later associated with the Fauvists and collaborated with Henri Matisse and André Derain to organize the Salon d’Automne, an exhibition of progressive art rejected by the more conservative Paris Salon. But rather than create pleasing “armchair” pictures like those of many of his contemporaries, Rouault applied his rough painterly style to religious subjects, clowns, and circus performers, using these motifs to reflect on religion, morality, and modern life.

Georges Rouault

Femme Fière from Les Fleurs du Mal, 1938

Aquatint in colors (framed)
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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