Georgia O’Keeffe, ‘Black Iris VI’, 1936, Painting, Oil on canvas, Seattle Art Museum
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Georgia O’Keeffe

Black Iris VI, 1936

Oil on canvas
36 × 24 in
91.4 × 61 cm
Location
Seattle, Seattle
Seattle Art Museum
Seattle, Seattle

Paul G. Allen Family Collection

Medium
Georgia O’Keeffe
American, 1887–1986
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Widely considered one of the greatest 20th-century American artists, painter Georgia O'Keeffe created serene works to reflect the world around her. Close-up flowers, a signature motif, are so magnified that the petals and blooms become abstracted into sweeping shapes and swaths of color. A celebrated icon herself, O'Keeffe carved out her own style apart from the chaotic modern art scene of the time and paved the way for many women artists to come. She was also known for her complicated relationship with Alfred Stieglitz. As his wife and muse, O’Keeffe often stayed in New York City, producing dark, vertical paintings of urban scenes, with compositions suggestive of the Stieglitz’s photography. Later in life, she would fall in love with the stark landscape and open skies of New Mexico, and starting in 1929 would spend significant—and eventually all—of her time there, painting the landscape, architecture, and bleached animal bones.

Georgia O’Keeffe, ‘Black Iris VI’, 1936, Painting, Oil on canvas, Seattle Art Museum
Save
Save
View
View in room
Share
Share
Seattle Art Museum
Seattle, Seattle

Paul G. Allen Family Collection

Medium
Georgia O’Keeffe
American, 1887–1986
Follow

Widely considered one of the greatest 20th-century American artists, painter Georgia O'Keeffe created serene works to reflect the world around her. Close-up flowers, a signature motif, are so magnified that the petals and blooms become abstracted into sweeping shapes and swaths of color. A celebrated icon herself, O'Keeffe carved out her own style apart from the chaotic modern art scene of the time and paved the way for many women artists to come. She was also known for her complicated relationship with Alfred Stieglitz. As his wife and muse, O’Keeffe often stayed in New York City, producing dark, vertical paintings of urban scenes, with compositions suggestive of the Stieglitz’s photography. Later in life, she would fall in love with the stark landscape and open skies of New Mexico, and starting in 1929 would spend significant—and eventually all—of her time there, painting the landscape, architecture, and bleached animal bones.

Georgia O’Keeffe

Black Iris VI, 1936

Oil on canvas
36 × 24 in
91.4 × 61 cm
Location
Seattle, Seattle
Series by this artist
Other works from Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection
Other works by Georgia O’Keeffe
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