Gerhard Richter, ‘Abstraktes Bild’, Christie's

Signature: signed, numbered and dated '593-10 Richter 1986' (on the reverse)

Munich, Galerie Terminus, Gerhard Richter: sichtweise-schichtweise, May-June 2006, p. 17 (illustrated).

Munich, Galerie Terminus, Made in Germany, May-July 2009.

Gerhard Richter: Paintings, exh. cat., Marian Goodman Gallery, New York and Sperone Westwater, New York, 1987, p. 6 (illustrated).

B. Buchloh, ed., Gerhard Richter. Werkübersicht Catalogue raisonné 1962-1993, vol. III, Ostfildern-Ruit, 1993, n. p., no. 593-9 sic.

D. Elger, Gerhard Richter: Catalogue Raisonné 1976-1987, Vol. 3 (Nos. 389 –651-2), Ostfildern, 2013, p. 497, no. 593-10 (illustrated).

Achenbach Art Consulting, Düsseldorf

Collection Victoria Versicherungs AG, Düsseldorf

Galerie Terminus, Munich

Galerie Springer & Winckler, Berlin / Schönewald Fine Arts, Düsseldorf / Anthony Meier Fine Arts, San Francisco

Galerie Michael Schultz, Berlin

Galerie Terminus, Munich

Acquired from the above by the present owner

About Gerhard Richter

Gerhard Richter is known for a prolific and stylistically varied exploration of the medium of painting, often incorporating and exploring the visual effects of photography. “I like everything that has no style: dictionaries, photographs, nature, myself and my paintings,” he says. “Because style is violent, and I am not violent.” In the early 1960s, Richter began to create large-scale photorealist copies of black-and-white photographs rendered in a range of grays, and innovated a blurred effect (sometimes deemed “photographic impressionism”) in which portions of his compositions appear smeared or softened—paradoxically reproducing photographic effects and revealing his painterly hand. With heavily textured abstract gray monochromes, Richter introduced abstraction into his practice, and he has continued to move freely between figuration and abstraction, producing geometric “Colour Charts”, bold, gestural abstractions, and “Photo Paintings” of anything from nudes, flowers, and cars to landscapes, architecture, and scenes from Nazi history. Richter absorbed a range of influences, from Caspar David Friedrich and Roy Lichtenstein to Art Informel and Fluxus.

German, b. 1932, Dresden, Germany, based in Cologne, Germany