Gerhard Richter, ‘Kind (Child)’, Christie's

Gerhard Richter (b. 1932)

Kind (Child)

signed, numbered and dated ‘Richter 1989 687-3’ (on the reverse)

oil on canvas

38 1/4 x 36 1/4 in. (97 x 92 cm.)

Painted in 1989.

Signature: signed, numbered and dated ‘Richter 1989 687-3’ (on the reverse)

Rotterdam, Museum Boymans-van Beuningen, Gerhard Richter 1988-89, October-December 1989, pp. 111 and 161 (illustrated in color).

M. Hübl, "Gerhard Richter," Holbein Art Forum, No. 20, 1990-91, p. 84 (illustrated).

B. Buchloh, ed., Gerhard Richter: Werkübersicht/Catalogue Raisonné 1962-1993, vol. III, Ostfildern-Ruit, 1993, no. 687-3 (illustrated in color).

D. Elger, _Gerhard Richter. Catalogue Raisonné 1988-1994,_vol. 4, Ostfildern, 2015, p. 209, no. 687-3 (illustrated in color).

Anthony d'Offay Gallery, London

Private collection, London

Anon. sale; Sotheby's, London, 15 February 2012, lot 14

Acquired at the above sale by the present owner

About Gerhard Richter

Gerhard Richter is known for a prolific and stylistically varied exploration of the medium of painting, often incorporating and exploring the visual effects of photography. “I like everything that has no style: dictionaries, photographs, nature, myself and my paintings,” he says. “Because style is violent, and I am not violent.” In the early 1960s, Richter began to create large-scale photorealist copies of black-and-white photographs rendered in a range of grays, and innovated a blurred effect (sometimes deemed “photographic impressionism”) in which portions of his compositions appear smeared or softened—paradoxically reproducing photographic effects and revealing his painterly hand. With heavily textured abstract gray monochromes, Richter introduced abstraction into his practice, and he has continued to move freely between figuration and abstraction, producing geometric “Colour Charts”, bold, gestural abstractions, and “Photo Paintings” of anything from nudes, flowers, and cars to landscapes, architecture, and scenes from Nazi history. Richter absorbed a range of influences, from Caspar David Friedrich and Roy Lichtenstein to Art Informel and Fluxus.

German, b. 1932, Dresden, Germany, based in Cologne, Germany