Gerhard Richter, ‘Rot - Blau - Gelb [338-100]’, 1973, Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Signature: signed, numbered and dated '100 Richter '73' on the reverse

Dietmar Elger, Gerhard Richter: Catalogue Raisonné 1968 - 1976, vol. II, Dresden, 1993, no. 338 1-100, pp. 508-509 (illustrated)
Suzanne Pagé, Wenzel Jacob, Björn Springfield, Kasper König and Benjamin Buchloh, eds., Gerhard Richter: Catalogue Raisonné 1962 - 1993, Ostfildern 1993, no. 338/1-100, p. 164 (illustrated, p. 165)
Hubertus Butin, Gerhard Richter Editionen 1965 - 2004, Catalogue Raisonne, Ostfildern, 2004, no. 50, pp. 34 and 190
Hubertus Butin, Stefan Gronert and Thomas Olbricht, eds., Gerhard Richter Editions 1965 - 2013, Ostfildern, 2014, pp. 42-43, 214
Gerhard Richter. Die Editionen, exh. cat., Museum Folkwang, Essen, 7 April - 30 July 2017, pp. 40-41

Acquired directly from the artist by the present owner's father
Thence by descent

About Gerhard Richter

Gerhard Richter is known for a prolific and stylistically varied exploration of the medium of painting, often incorporating and exploring the visual effects of photography. “I like everything that has no style: dictionaries, photographs, nature, myself and my paintings,” he says. “Because style is violent, and I am not violent.” In the early 1960s, Richter began to create large-scale photorealist copies of black-and-white photographs rendered in a range of grays, and innovated a blurred effect (sometimes deemed “photographic impressionism”) in which portions of his compositions appear smeared or softened—paradoxically reproducing photographic effects and revealing his painterly hand. With heavily textured abstract gray monochromes, Richter introduced abstraction into his practice, and he has continued to move freely between figuration and abstraction, producing geometric “Colour Charts”, bold, gestural abstractions, and “Photo Paintings” of anything from nudes, flowers, and cars to landscapes, architecture, and scenes from Nazi history. Richter absorbed a range of influences, from Caspar David Friedrich and Roy Lichtenstein to Art Informel and Fluxus.

German, b. 1932, Dresden, Germany, based in Cologne, Germany