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Tri-Star, 1981

Phonograph record by Isa Genzken, featuring noises made by a Tri-Star aeroplane motor, one side painted by Gerhard Richter with grey nitro lacquer, with the original black cardboard record sleeve
6 9/10 in diameter
17.5 cm diameter
Edition 28/75
This is part of a limited edition set.
Bidding closed
Want to sell a work by these artists? Consign with Artsy.
About the work
Bibliography
P
Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Signature
Signed and dated in black ink on the grey nitro lacquer and numbered 28/75 in black ink on the yellow label affixed to the reverse, … Read more
Gerhard Richter
German, b. 1932
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Gerhard Richter is known for a prolific and stylistically varied exploration of the medium of painting, often incorporating and exploring the visual effects of photography. “I like everything that has no style: dictionaries, photographs, nature, myself and my paintings,” he says. “Because style is violent, and I am not violent.” In the early 1960s, Richter began to create large-scale photorealist copies of black-and-white photographs rendered in a range of grays, and innovated a blurred effect (sometimes deemed “photographic impressionism”) in which portions of his compositions appear smeared or softened—paradoxically reproducing photographic effects and revealing his painterly hand. With heavily textured abstract gray monochromes, Richter introduced abstraction into his practice, and he has continued to move freely between figuration and abstraction, producing geometric “Colour Charts”, bold, gestural abstractions, and “Photo Paintings” of anything from nudes, flowers, and cars to landscapes, architecture, and scenes from Nazi history. Richter absorbed a range of influences, from Caspar David Friedrich and Roy Lichtenstein to Art Informel and Fluxus.

Isa Genzken
German, b. 1948
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Using insubstantial commercial materials to depict what seems indestructible, Isa Genzken’s sculptures explore the tension between permanence and transience. Drawing on the legacies of Constructivism and Minimalism and often involving a critical dialogue with Modernist architecture, Genzken’s works comment on the way we build and destroy our environments, which are an expression of hope as well as a monument to our consumption and destructiveness. Following 9/11, Genzken created a series entitled “Empire/Vampire, Who Kills Death” (2002–03), using her characteristic assortment of disposable materials such as plastic vessels, toy figures, and other detritus to depict scenes of post-apocalyptic devastation and confusion. For her installation Oil, the artist transformed the German Pavilion at the 2007 Venice Biennale into a saturnine and futuristic Gesamtkunstwerk (the German word for “total art-work”).

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share
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About the work
Bibliography
P
Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Signature
Signed and dated in black ink on the grey nitro lacquer and numbered 28/75 in black ink on the yellow label affixed to the reverse, … Read more
Gerhard Richter
German, b. 1932
Follow

Gerhard Richter is known for a prolific and stylistically varied exploration of the medium of painting, often incorporating and exploring the visual effects of photography. “I like everything that has no style: dictionaries, photographs, nature, myself and my paintings,” he says. “Because style is violent, and I am not violent.” In the early 1960s, Richter began to create large-scale photorealist copies of black-and-white photographs rendered in a range of grays, and innovated a blurred effect (sometimes deemed “photographic impressionism”) in which portions of his compositions appear smeared or softened—paradoxically reproducing photographic effects and revealing his painterly hand. With heavily textured abstract gray monochromes, Richter introduced abstraction into his practice, and he has continued to move freely between figuration and abstraction, producing geometric “Colour Charts”, bold, gestural abstractions, and “Photo Paintings” of anything from nudes, flowers, and cars to landscapes, architecture, and scenes from Nazi history. Richter absorbed a range of influences, from Caspar David Friedrich and Roy Lichtenstein to Art Informel and Fluxus.

Isa Genzken
German, b. 1948
Follow

Using insubstantial commercial materials to depict what seems indestructible, Isa Genzken’s sculptures explore the tension between permanence and transience. Drawing on the legacies of Constructivism and Minimalism and often involving a critical dialogue with Modernist architecture, Genzken’s works comment on the way we build and destroy our environments, which are an expression of hope as well as a monument to our consumption and destructiveness. Following 9/11, Genzken created a series entitled “Empire/Vampire, Who Kills Death” (2002–03), using her characteristic assortment of disposable materials such as plastic vessels, toy figures, and other detritus to depict scenes of post-apocalyptic devastation and confusion. For her installation Oil, the artist transformed the German Pavilion at the 2007 Venice Biennale into a saturnine and futuristic Gesamtkunstwerk (the German word for “total art-work”).

Tri-Star, 1981

Phonograph record by Isa Genzken, featuring noises made by a Tri-Star aeroplane motor, one side painted by Gerhard Richter with grey nitro lacquer, with the original black cardboard record sleeve
6 9/10 in diameter
17.5 cm diameter
Edition 28/75
This is part of a limited edition set.
Bidding closed
Want to sell a work by these artists? Consign with Artsy.
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