This bracelet from 1992 is made to measure and derived from his successful "Holes" series. For each rendering the design has to be completely redone as the holes have to match for the length of the bracelet. A technical prowess as the holes have to match from each side. Available in gold or silver.

Medium
Image rights
Courtesy Gijs Bakker

Trained in industrial design, Gijs Bakker co-founded the now-famous Dutch design firms Droog in 1993 and Chi ha paura...? in 1996. Over the years, he has taught at various European art academies and worked on numerous commercial collaborations, creating everything from furniture to jewelry to public spaces. Known for privileging concept over craft and denying the market value of the materials he works in, Bakker has long disparaged the fetishization of the “authenticity” and prefers instead the potential for mass-production. “I have never been interested in hand-made things, and I am, in fact, suspicious of the charm,” Bakker says. “It is the idea that matters, and whether it’s produced by me or by a machine, nothing must detract from the idea.”

Selected exhibitions
2016
Read My Pins: The Madeleine Albright CollectionLegion of Honor
2014
Collection #1 curated by Studio JobChamber
Multiple Exposures: Jewelry and PhotographyMuseum of Arts and Design
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Bracelet "Holes", 1992

Gold or silver
.
Location
Brussels

This bracelet from 1992 is made to measure and derived from his successful "Holes" …

Medium
Image rights
Courtesy Gijs Bakker

Trained in industrial design, Gijs Bakker co-founded the now-famous Dutch design firms Droog in 1993 and Chi ha paura...? in 1996. Over the years, he has taught at various European art academies and worked on numerous commercial collaborations, creating everything from furniture to jewelry to public spaces. Known for privileging concept over craft and denying the market value of the materials he works in, Bakker has long disparaged the fetishization of the “authenticity” and prefers instead the potential for mass-production. “I have never been interested in hand-made things, and I am, in fact, suspicious of the charm,” Bakker says. “It is the idea that matters, and whether it’s produced by me or by a machine, nothing must detract from the idea.”

Selected exhibitions (3)
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