Giorgio de Chirico, ‘Veduta di Verona con carne, verdura e frutta’, 1966, Il Ponte
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Veduta di Verona con carne, verdura e frutta, 1966

Pencil and watercolor on paper laid on cardboard
11 4/5 × 9 4/5 in
30 × 25 cm
Bidding closed
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About the work
Bibliography
Provenance
IP
Il Ponte
Medium
Painting
Signature
Signed lower left
Giorgio de Chirico
Italian, 1888–1978
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The founder of the scuola metafisica, Giorgio de Chirico is best known for his metaphysical paintings, produced between 1909 and 1919. These melancholic renderings of low-lit town squares with long shadows and empty walkways would profoundly influence the Surrealists, including André Breton, Salvador Dalí, and René Magritte. In their thematic exploration of alienation, nostalgia, and myth, de Chirico’s works—many of which were exhibited at the Paris Salons—are also said to have influenced filmmakers such as Michelangelo Antonioni and draw parallels with contemporary works by Edward Hopper. De Chirico later rejected his earlier metaphysical style and became interested in traditional painting techniques, working in Neoclassical or neo-Baroque styles influenced by Raphael, Luca Signorelli, and Peter Paul Rubens. The Surrealists were publicly critical of this anti-modern development in de Chirico’s work and the artist eventually ended his association with the group. He cited the writings of Friedrich Nietzsche as a deep influence.

Giorgio de Chirico, ‘Veduta di Verona con carne, verdura e frutta’, 1966, Il Ponte
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Provenance
IP
Il Ponte
Medium
Painting
Signature
Signed lower left
Giorgio de Chirico
Italian, 1888–1978
Follow

The founder of the scuola metafisica, Giorgio de Chirico is best known for his metaphysical paintings, produced between 1909 and 1919. These melancholic renderings of low-lit town squares with long shadows and empty walkways would profoundly influence the Surrealists, including André Breton, Salvador Dalí, and René Magritte. In their thematic exploration of alienation, nostalgia, and myth, de Chirico’s works—many of which were exhibited at the Paris Salons—are also said to have influenced filmmakers such as Michelangelo Antonioni and draw parallels with contemporary works by Edward Hopper. De Chirico later rejected his earlier metaphysical style and became interested in traditional painting techniques, working in Neoclassical or neo-Baroque styles influenced by Raphael, Luca Signorelli, and Peter Paul Rubens. The Surrealists were publicly critical of this anti-modern development in de Chirico’s work and the artist eventually ended his association with the group. He cited the writings of Friedrich Nietzsche as a deep influence.

Veduta di Verona con carne, verdura e frutta, 1966

Pencil and watercolor on paper laid on cardboard
11 4/5 × 9 4/5 in
30 × 25 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Giorgio de Chirico
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Still Life