Giorgione, ‘Portrait of a Venetian Gentleman’, ca. 1510, National Gallery of Art, Washington, D.C.
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Portrait of a Venetian Gentleman, ca. 1510

Oil on canvas
30 × 25 in
76.2 × 63.5 cm
Permanent collection
About the work
Articles
National Gallery of Art, Washington, D.C.
Washington
overall: 76.2 x 63.5 cm (30 x 25 in.)  framed: 108 x 93.7 x 8.6 cm (42 1/2 x 36 7/8 x 3 3/8 in.)
Medium
Image rights
Courtesy National Gallery of Art, Washington
Giorgione
Italian, 1477/1478–1510
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Zorzi da Castelfranco, better known as Giorgione (Italian for “tall George"), was one of the most influential Venetian painters of the High Renaissance. Though not much is known about his personal life, Giorgione studied under Giovanni Bellini in Venice, which left a lasting influence in his work. Though he completed many paintings with mythological and historical subjects, Giorgione was most influential as a portrait painter, able to capture the subtle and refined expressions of his sitters with skillful modeling and color application. Giorgione left many artworks incomplete at the time of his early death, which were finished by his students Sebastiano del Piombo and Titian.

Titian
Italian, 1488–1576
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Known for his expressive brushwork, brilliant color, and hazy, atmospheric effects, Renaissance painter Tiziano Vecelli, called Titian, along with Giorgione, was the founder of arte moderna, a nuanced style characterized by dynamic asymmetry and non-hierarchical compositions that broke from the work of his master, Giovanni Bellini. After Giorgione and Bellini died, Titian introduced many innovations and was the considered the master of Venetian painting. Titian's 1548 painting Equestrian Portrait of Charles V established equestrian portraiture as a new genre that referenced both the Roman tradition of equestrian sculpture and the medieval representations of Christian knights. One of Titian’s most famous paintings is The Rape of Europa (1562), which introduced a powerful diagonal structure—almost baroque in its blurred lines, swirling color, and vibrant brushwork. After a very successful career with many prestigious commissions, Titian died of the plague that swept Venice in 1576.

Giorgione, ‘Portrait of a Venetian Gentleman’, ca. 1510, National Gallery of Art, Washington, D.C.
Save
Save
View
View in room
Share
Share
About the work
Articles
National Gallery of Art, Washington, D.C.
Washington
overall: 76.2 x 63.5 cm (30 x 25 in.)  framed: 108 x 93.7 x 8.6 cm (42 1/2 x 36 7/8 x 3 3/8 in.)
Medium
Image rights
Courtesy National Gallery of Art, Washington
Giorgione
Italian, 1477/1478–1510
Follow

Zorzi da Castelfranco, better known as Giorgione (Italian for “tall George"), was one of the most influential Venetian painters of the High Renaissance. Though not much is known about his personal life, Giorgione studied under Giovanni Bellini in Venice, which left a lasting influence in his work. Though he completed many paintings with mythological and historical subjects, Giorgione was most influential as a portrait painter, able to capture the subtle and refined expressions of his sitters with skillful modeling and color application. Giorgione left many artworks incomplete at the time of his early death, which were finished by his students Sebastiano del Piombo and Titian.

Titian
Italian, 1488–1576
Follow

Known for his expressive brushwork, brilliant color, and hazy, atmospheric effects, Renaissance painter Tiziano Vecelli, called Titian, along with Giorgione, was the founder of arte moderna, a nuanced style characterized by dynamic asymmetry and non-hierarchical compositions that broke from the work of his master, Giovanni Bellini. After Giorgione and Bellini died, Titian introduced many innovations and was the considered the master of Venetian painting. Titian's 1548 painting Equestrian Portrait of Charles V established equestrian portraiture as a new genre that referenced both the Roman tradition of equestrian sculpture and the medieval representations of Christian knights. One of Titian’s most famous paintings is The Rape of Europa (1562), which introduced a powerful diagonal structure—almost baroque in its blurred lines, swirling color, and vibrant brushwork. After a very successful career with many prestigious commissions, Titian died of the plague that swept Venice in 1576.

Portrait of a Venetian Gentleman, ca. 1510

Oil on canvas
30 × 25 in
76.2 × 63.5 cm
Permanent collection
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