Giovanni Battista Piranesi, ‘A standing man wearing a hat, seen from behind’, Christie's Old Masters

A drawing with comparable figures datable circa 1770-5 was formerly in the Witt collection (H. Thomas, The Drawings of Giovanni Battista Piranesi, New York, 1954, no. 76).

Samuel Wagstaff, Jr.

The Estate of Robert Mapplethorpe; Christie's, New York, 10 January 1990, lot 68.

About Giovanni Battista Piranesi

Printmaker, engraver, and antiquarian Giovanni Battista Piranesi once said: “I need to produce great ideas, and I believe that if I were commissioned to design a new universe, I would be mad enough to undertake it.” This would prove an apt description of the fantastical architectural prints he became famous for. An ardent lover of Roman, Greek, and Egyptian architecture, Piranesi was the son of a stonemason and builder, and first studied drawing with his uncle, an engineer. (In fact, Piranesi considered himself an architect.) His drawings and etchings demonstrate a sophisticated ability in manipulating perspective and architectural elements for dramatic effect. Piranesi’s subjects not only included imaginings of ancient buildings, but also ominous prisons and mysterious ruins. His works were so popular that the prints were sold to Grand Tourists even after his death.

Italian, 1720-1778, Mogliano, Italy, based in Rome, Italy