(Carceri Plate XII)
From the first through third issues.
Signature: Watermark: Fleur-de-lys in a single circle with pendant
Andrew Robison, Piranesi: Early Architectural Fantasies: A Catalogue Raisonne of the Etchings (Chicago: University of Chicago, 1968), 38 ii/VI, from the first through third issues
Envoi de Cologne
Bibliotheque Nationale, Department de Estampes, Paris (Lugt 612)
About Giovanni Battista Piranesi
Printmaker, engraver, and antiquarian Giovanni Battista Piranesi once said: “I need to produce great ideas, and I believe that if I were commissioned to design a new universe, I would be mad enough to undertake it.” This would prove an apt description of the fantastical architectural prints he became famous for. An ardent lover of Roman, Greek, and Egyptian architecture, Piranesi was the son of a stonemason and builder, and first studied drawing with his uncle, an engineer. (In fact, Piranesi considered himself an architect.) His drawings and etchings demonstrate a sophisticated ability in manipulating perspective and architectural elements for dramatic effect. Piranesi’s subjects not only included imaginings of ancient buildings, but also ominous prisons and mysterious ruins. His works were so popular that the prints were sold to Grand Tourists even after his death.
Italian, 1720-1778, Mogliano, Italy, based in Rome, Italy