Giovanni Battista Piranesi, ‘Veduta del Tempio di Antonino e Faustina in Campo Vaccino, from: Vedute di Roma’, 1758, Forum Auctions

With watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Robison's state 'c', of 'f', with the artist's address and price, wide margins, platemark 405 x 540 mm. (16 x 21 1/4 in), sheet 555 x 790 mm. (21 3/4 x 31 1/8 in), unframed.

Literature:
Hind 49 iii/vi

From the Catalogue
A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.
—Courtesy of Forum Auctions

Hind 49 iii/vi

About Giovanni Battista Piranesi

Printmaker, engraver, and antiquarian Giovanni Battista Piranesi once said: “I need to produce great ideas, and I believe that if I were commissioned to design a new universe, I would be mad enough to undertake it.” This would prove an apt description of the fantastical architectural prints he became famous for. An ardent lover of Roman, Greek, and Egyptian architecture, Piranesi was the son of a stonemason and builder, and first studied drawing with his uncle, an engineer. (In fact, Piranesi considered himself an architect.) His drawings and etchings demonstrate a sophisticated ability in manipulating perspective and architectural elements for dramatic effect. Piranesi’s subjects not only included imaginings of ancient buildings, but also ominous prisons and mysterious ruins. His works were so popular that the prints were sold to Grand Tourists even after his death.

Italian, 1720-1778, Mogliano, Italy, based in Rome, Italy