Giovanni Bellini, ‘Madonna and Child in a Landscape’, ca. 1480/1485, Painting, Oil on panel, National Gallery of Art, Washington, D.C.
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Giovanni Bellini

Madonna and Child in a Landscape, ca. 1480/1485

Oil on panel
28 1/4 × 20 13/16 in
71.8 × 52.9 cm
Permanent collection
About the work
National Gallery of Art, Washington, D.C.
Washington
overall: 71.7 x 52.8 cm (28 1/4 x 20 13/16 in.)  framed: 115.4 x 97.6 x 6.2 cm (45 7/16 x 38 7/16 x …
Medium
Image rights
Courtesy National Gallery of Art, Washington
Giovanni Bellini
Italian, 1430–1516
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Giovanni Bellini was a painter of the Venetian School, and a sensitive and adept colorist. He was also lauded for his ability to create realist renderings and his choice of subject, which ranged from landscape to mythological narrative. Bellini had made his early paintings with tempera, but upon seeing Antonello da Messina’s oil paintings, he quickly adopted the new medium. From then, he was able to add depth and complexity to the hues in his works, and was remembered at his death for being a master of capturing natural light. Bellini and his brother Gentile likely began their training in the atelier of their father Jacopo Bellini, who was a Gothic revivalist. Bellini’s own apprentices included Giorgione and Titian, the latter of whom posthumously reworked his Feast of the Gods (1514).

Giovanni Bellini, ‘Madonna and Child in a Landscape’, ca. 1480/1485, Painting, Oil on panel, National Gallery of Art, Washington, D.C.
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View
View in room
Share
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About the work
National Gallery of Art, Washington, D.C.
Washington
overall: 71.7 x 52.8 cm (28 1/4 x 20 13/16 in.)  framed: 115.4 x 97.6 x 6.2 cm (45 7/16 x 38 7/16 x 2 7/16 in.)
Medium
Image rights
Courtesy National Gallery of Art, Washington
Giovanni Bellini
Italian, 1430–1516
Follow

Giovanni Bellini was a painter of the Venetian School, and a sensitive and adept colorist. He was also lauded for his ability to create realist renderings and his choice of subject, which ranged from landscape to mythological narrative. Bellini had made his early paintings with tempera, but upon seeing Antonello da Messina’s oil paintings, he quickly adopted the new medium. From then, he was able to add depth and complexity to the hues in his works, and was remembered at his death for being a master of capturing natural light. Bellini and his brother Gentile likely began their training in the atelier of their father Jacopo Bellini, who was a Gothic revivalist. Bellini’s own apprentices included Giorgione and Titian, the latter of whom posthumously reworked his Feast of the Gods (1514).

Giovanni Bellini

Madonna and Child in a Landscape, ca. 1480/1485

Oil on panel
28 1/4 × 20 13/16 in
71.8 × 52.9 cm
Permanent collection
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