Glenn Ligon, ‘(miserable) life #8’, 2008, Painting, Oilstick, coaldust, gesso on paper, Visioner
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Glenn Ligon

(miserable) life #8, 2008

Oilstick, coaldust, gesso on paper
12 7/8 × 9 7/8 in
32.7 × 25.1 cm
.
Sold
Location
New York
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Visioner
New York

This is typical Glenn Ligon work from "Sunshine Negro" series

Medium
Condition
Excellent
Signature
Hand-signed by artist
Frame
Included
Series
This is part of "Sunshine Negro" series of work by the artist
Glenn Ligon
American, b. 1960
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Born and raised in the Bronx, Glenn Ligon grew up taking art classes at the Metropolitan Museum of Art while learning about identity politics through the racism and discrimination toward homosexuality that he encountered in New York. He combines this formal art education and complex personal history to create emotionally charged works that convey challenging messages. In his 1993 Whitney Biennial contribution, Notes on the Margin of the Black Book (1991–93), for example, Ligon paired images and text to satirically comment on literary and visual representations of the black male body. Whether constructed from neon lights, coal dust, glitter, paint, or photographs, Ligon’s work fluctuates between humor and startling honesty, reminding viewers that intolerance remains ubiquitous.

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Glenn Ligon, ‘(miserable) life #8’, 2008, Painting, Oilstick, coaldust, gesso on paper, Visioner
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Save
Save
View
View in room
Share
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Visioner
New York

This is typical Glenn Ligon work from "Sunshine Negro" series

Medium
Condition
Excellent
Signature
Hand-signed by artist
Frame
Included
Series
This is part of "Sunshine Negro" series of work by the artist
Glenn Ligon
American, b. 1960
Follow

Born and raised in the Bronx, Glenn Ligon grew up taking art classes at the Metropolitan Museum of Art while learning about identity politics through the racism and discrimination toward homosexuality that he encountered in New York. He combines this formal art education and complex personal history to create emotionally charged works that convey challenging messages. In his 1993 Whitney Biennial contribution, Notes on the Margin of the Black Book (1991–93), for example, Ligon paired images and text to satirically comment on literary and visual representations of the black male body. Whether constructed from neon lights, coal dust, glitter, paint, or photographs, Ligon’s work fluctuates between humor and startling honesty, reminding viewers that intolerance remains ubiquitous.

Glenn Ligon

(miserable) life #8, 2008

Oilstick, coaldust, gesso on paper
12 7/8 × 9 7/8 in
32.7 × 25.1 cm
.
Sold
Location
New York
Want to sell a work by this artist? Consign with Artsy.
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