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Glenn Ligon, ‘No Room (Gold) #7’, Christie's
Glenn Ligon, ‘No Room (Gold) #7’, Christie's
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Glenn Ligon

No Room (Gold) #7

Oil and acrylic on canvas mounted on board
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About the work
Exhibition history
Bibliography
Provenance
C
Christie's
Signature
Signed, titled and dated 'Glenn Ligon 2007 No Room (Gold) #7' (on the overlap)
Glenn Ligon
American, b. 1960
Follow

Born and raised in the Bronx, Glenn Ligon grew up taking art classes at the Metropolitan Museum of Art while learning about identity politics through the racism and discrimination toward homosexuality that he encountered in New York. He combines this formal art education and complex personal history to create emotionally charged works that convey challenging messages. In his 1993 Whitney Biennial contribution, Notes on the Margin of the Black Book (1991–93), for example, Ligon paired images and text to satirically comment on literary and visual representations of the black male body. Whether constructed from neon lights, coal dust, glitter, paint, or photographs, Ligon’s work fluctuates between humor and startling honesty, reminding viewers that intolerance remains ubiquitous.

Glenn Ligon, ‘No Room (Gold) #7’, Christie's
Glenn Ligon, ‘No Room (Gold) #7’, Christie's
Save
Save
Share
Share
Save
Save
Share
Share
About the work
Exhibition history
Bibliography
Provenance
C
Christie's
Signature
Signed, titled and dated 'Glenn Ligon 2007 No Room (Gold) #7' (on the overlap)
Glenn Ligon
American, b. 1960
Follow

Born and raised in the Bronx, Glenn Ligon grew up taking art classes at the Metropolitan Museum of Art while learning about identity politics through the racism and discrimination toward homosexuality that he encountered in New York. He combines this formal art education and complex personal history to create emotionally charged works that convey challenging messages. In his 1993 Whitney Biennial contribution, Notes on the Margin of the Black Book (1991–93), for example, Ligon paired images and text to satirically comment on literary and visual representations of the black male body. Whether constructed from neon lights, coal dust, glitter, paint, or photographs, Ligon’s work fluctuates between humor and startling honesty, reminding viewers that intolerance remains ubiquitous.

Glenn Ligon

No Room (Gold) #7

Oil and acrylic on canvas mounted on board
Want to sell a work by this artist? Consign with Artsy.
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