Glenn Ligon, ‘Study for White Series’, Christie's

Signature: Study for White Series

New York, Brooklyn Museum of Art, Evidence of Things Not Seen: Drawings By Glenn Ligon, September 1996-February 1997.

Max Protetch Gallery, New York

Anthony Meier Fine Arts, San Francisco

Anon. sale; Sotheby's, New York, 10 May 2012, lot 443

Acquired at the above sale by the present owner

About Glenn Ligon

Born and raised in the Bronx, Glenn Ligon grew up taking art classes at the Metropolitan Museum of Art while learning about identity politics through the racism and discrimination toward homosexuality that he encountered in New York. He combines this formal art education and complex personal history to create emotionally charged works that convey challenging messages. In his 1993 Whitney Biennial contribution, Notes on the Margin of the Black Book (1991–93), for example, Ligon paired images and text to satirically comment on literary and visual representations of the black male body. Whether constructed from neon lights, coal dust, glitter, paint, or photographs, Ligon’s work fluctuates between humor and startling honesty, reminding viewers that intolerance remains ubiquitous.

American, b. 1960, Bronx, New York, based in New York, New York