Glenn Ligon, ‘Untitled’, 2018, Drawing, Collage or other Work on Paper, Ink and pencil on paper, Visual AIDS Benefit Auction
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Glenn Ligon

Untitled, 2018

Ink and pencil on paper
4 × 6 in
10.2 × 15.2 cm
.
Bidding closed
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About the work
Visual AIDS Benefit Auction
Medium
Signature
Signed, verso
Image rights
Courtesy of the artist
Glenn Ligon
American, b. 1960
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Born and raised in the Bronx, Glenn Ligon grew up taking art classes at the Metropolitan Museum of Art while learning about identity politics through the racism and discrimination toward homosexuality that he encountered in New York. He combines this formal art education and complex personal history to create emotionally charged works that convey challenging messages. In his 1993 Whitney Biennial contribution, Notes on the Margin of the Black Book (1991–93), for example, Ligon paired images and text to satirically comment on literary and visual representations of the black male body. Whether constructed from neon lights, coal dust, glitter, paint, or photographs, Ligon’s work fluctuates between humor and startling honesty, reminding viewers that intolerance remains ubiquitous.

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Glenn Ligon, ‘Untitled’, 2018, Drawing, Collage or other Work on Paper, Ink and pencil on paper, Visual AIDS Benefit Auction
Navigate right
Save
Save
View
View in room
Share
Share
About the work
Visual AIDS Benefit Auction
Medium
Signature
Signed, verso
Image rights
Courtesy of the artist
Glenn Ligon
American, b. 1960
Follow

Born and raised in the Bronx, Glenn Ligon grew up taking art classes at the Metropolitan Museum of Art while learning about identity politics through the racism and discrimination toward homosexuality that he encountered in New York. He combines this formal art education and complex personal history to create emotionally charged works that convey challenging messages. In his 1993 Whitney Biennial contribution, Notes on the Margin of the Black Book (1991–93), for example, Ligon paired images and text to satirically comment on literary and visual representations of the black male body. Whether constructed from neon lights, coal dust, glitter, paint, or photographs, Ligon’s work fluctuates between humor and startling honesty, reminding viewers that intolerance remains ubiquitous.

Glenn Ligon

Untitled, 2018

Ink and pencil on paper
4 × 6 in
10.2 × 15.2 cm
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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