Gordon Matta-Clark, ‘Splitting: Four Corners’, 1974, San Francisco Museum of Modern Art (SFMOMA)

[Link to SFMOMA object page] (http://www.sfmoma.org/explore/collection/artwork/106152)

Image rights: © Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York

San Francisco Museum of Modern Art, purchase through a gift of Phyllis Wattis, the Helen and Charles Schwab Art Supporting Foundation to the San Francisco Museum of Modern Art, the Shirley Ross Davis Fund, and the Accessions Committee Fund: gift of Mimi and Peter Haas, Niko and Steve Mayer, Christine and Michael Murray, Helen and Charles Schwab, Norah and Norman Stone, and Danielle and Brooks Walker, Jr.

About Gordon Matta-Clark

Gordon Matta-Clark’s anti-establishment suspicion of the worlds of art and architecture, illustrated by his involvement in the Anarchitecture Group, led to some of the most innovative works of Conceptual art of the 20th century. His famed “building cuts” involved carefully cleaving through part or all of an abandoned structure, removing sections of floors, ceilings, and walls. For Splitting (1974), Matta-Clark carved through the various floors of a typical suburban house in New Jersey, splitting it in two. The act evoked both his own and the universal disintegration of the family. Accompanying photographs depict the resulting work as a bizarre, vertiginous visual experience.

American, 1943-1978, New York, New York