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Gordon Parks

Untitled, Shady Grove, Alabama (Boys Fishing 37.048), 1956

Archival digital pigment print
14 × 14 in
35.6 × 35.6 cm
Contact For Price
location
Boston
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About the work
Image rights
Courtesy and Copyright of The Gordon Parks Foundation
Gordon Parks
American, 1912–2006
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Considered one of the most influential artists of the 20th century, Gordon Parks was a self-taught photographer, filmmaker, writer, and composer. He is best known for chronicling the African American experience in powerful, poetic photographs. Parks worked for the Farm Security Administration and the Office of War Information before becoming the first black staff photographer at Life magazine. He was the first black auteur to release a major Hollywood film, The Learning Tree (1969), and he later made Shaft (1971) and Shaft’s Big Score! (1972), films that defined the blaxploitation genre. Parks also cofounded Essence magazine. In his photographs, Parks captured both the rich and famous and marginalized communities, especially his own. “I saw that the camera could be a weapon against . . . all sorts of social wrongs,” he said. “I knew at that point I had to have a camera.”

Save
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view
View in room
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Save
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view
View in room
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About the work
Image rights
Courtesy and Copyright of The Gordon Parks Foundation
Gordon Parks
American, 1912–2006
Follow

Considered one of the most influential artists of the 20th century, Gordon Parks was a self-taught photographer, filmmaker, writer, and composer. He is best known for chronicling the African American experience in powerful, poetic photographs. Parks worked for the Farm Security Administration and the Office of War Information before becoming the first black staff photographer at Life magazine. He was the first black auteur to release a major Hollywood film, The Learning Tree (1969), and he later made Shaft (1971) and Shaft’s Big Score! (1972), films that defined the blaxploitation genre. Parks also cofounded Essence magazine. In his photographs, Parks captured both the rich and famous and marginalized communities, especially his own. “I saw that the camera could be a weapon against . . . all sorts of social wrongs,” he said. “I knew at that point I had to have a camera.”

Gordon Parks

Untitled, Shady Grove, Alabama (Boys Fishing 37.048), 1956

Archival digital pigment print
14 × 14 in
35.6 × 35.6 cm
Contact For Price
location
Boston
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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