Medium

Conceptual, Berlin-based artist Gregor Hildebrandt transforms the near-obsolete relics of recording technology—like VHS, cassettes, and vinyl records—into sculptures, paintings, photographs and installations. To make his signature paintings, Hildebrandt applies tapes directly to the canvas, making impressions with them before finally adhering the cassettes themselves. He is also known to craft massive installations from these materials, including wall-sized “membranes” of extracted recording tape and galleries filled with old vinyl LPs that have been tackily remade into bowls. Though his formal vocabulary draws on minimalist and found-object traditions, Hildebrandt is just as interested in the references to pop culture and nostalgia embedded in the lost recordings. “I really love that there’s something inside the material that you can’t hear,” he says. “And when you see it, you only see black. You can have your own interpretation of the materials and it does something for your experience.”

Blue chip
Represented by internationally recognized galleries.
Selected exhibitions
2019
Der Raum ist die MieteAlmine Rech
Gregor HildebrandtAlmine Rech
2017
Alle Schläge sind erlaubtAlmine Rech
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der super Joker, 2019

Compression-molded records, plexi bar, marble plinth
94 1/2 × 12 1/5 × 12 1/5 in
240 × 31 × 31 cm
.
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Location
Berlin - Charlottenburg
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Medium

Conceptual, Berlin-based artist Gregor Hildebrandt transforms the near-obsolete relics of recording technology—like VHS, cassettes, and vinyl records—into sculptures, paintings, photographs and installations. To make his signature paintings, Hildebrandt applies tapes directly to the canvas, making impressions with them before finally adhering the cassettes themselves. He is also known to craft massive installations from these materials, including wall-sized “membranes” of extracted recording tape and galleries filled with old vinyl LPs that have been tackily remade into bowls. Though his formal vocabulary draws on minimalist and found-object traditions, Hildebrandt is just as interested in the references to pop culture and nostalgia embedded in the lost recordings. “I really love that there’s something inside the material that you can’t hear,” he says. “And when you see it, you only see black. You can have your own interpretation of the materials and it does something for your experience.”

Blue chip
Represented by internationally recognized galleries.
Selected exhibitions (3)
Other works by Gregor Hildebrandt
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