Gregory Crewdson, ‘Untitled (Natural Bridge)’, 2007, Photography, Archival pigment print, flush-mounted., Phillips
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Gregory Crewdson

Untitled (Natural Bridge), 2007

Archival pigment print, flush-mounted.
57 × 88 in
144.7 × 223.5 cm
Edition of 6 + 2AP
Bidding closed
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P
Phillips

Image: 144.7 x 223.5 cm (56 7/8 x 87 7/8 in.)
Frame: 148.5 x 227.3 cm (58 1/2 x 89 1/2 in.)

Property …

Medium
Signature
Signed in ink, printed title, date and number AP1 on an artist label affixed to the reverse of the flush-mount. From an edition of 6 + 2 …
Gregory Crewdson
American, b. 1962
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In suburban settings or on elaborately detailed sets of American homes, interiors, and neighborhoods, Gregory Crewdson stages haunting, cinematic photos of alienation and eerie quietude. “I’ve always been interested in wanting to construct the world in photographs,” he has said. Crewdson’s work combines the documentary style of William Eggleston and Walker Evans with a dreamlike quality reminiscent of such filmmakers as Stephen Spielberg and David Lynch. Yet unlike those directors, Crewdson is compelled by how the still image freezes time and sets limitations, “like a story that is forever frozen in between moments, before and after, and always left as a kind of unresolved question,” he describes. His quietly disturbing American settings, with their immaculately staged lighting and somber, solitary figures, are often seen as functioning in conversation with the works of Edward Hopper.

Gregory Crewdson, ‘Untitled (Natural Bridge)’, 2007, Photography, Archival pigment print, flush-mounted., Phillips
Save
Save
View
View in room
Share
Share
P
Phillips

Image: 144.7 x 223.5 cm (56 7/8 x 87 7/8 in.)
Frame: 148.5 x 227.3 cm (58 1/2 x 89 1/2 in.)

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Medium
Signature
Signed in ink, printed title, date and number AP1 on an artist label affixed to the reverse of the flush-mount. From an edition of 6 + 2 …
Gregory Crewdson
American, b. 1962
Follow

In suburban settings or on elaborately detailed sets of American homes, interiors, and neighborhoods, Gregory Crewdson stages haunting, cinematic photos of alienation and eerie quietude. “I’ve always been interested in wanting to construct the world in photographs,” he has said. Crewdson’s work combines the documentary style of William Eggleston and Walker Evans with a dreamlike quality reminiscent of such filmmakers as Stephen Spielberg and David Lynch. Yet unlike those directors, Crewdson is compelled by how the still image freezes time and sets limitations, “like a story that is forever frozen in between moments, before and after, and always left as a kind of unresolved question,” he describes. His quietly disturbing American settings, with their immaculately staged lighting and somber, solitary figures, are often seen as functioning in conversation with the works of Edward Hopper.

Gregory Crewdson

Untitled (Natural Bridge), 2007

Archival pigment print, flush-mounted.
57 × 88 in
144.7 × 223.5 cm
Edition of 6 + 2AP
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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