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Gregory Crewdson, ‘Untitled (woman stain)’, 2001, Art Portfolio, Inc.
Gregory Crewdson, ‘Untitled (woman stain)’, 2001, Art Portfolio, Inc.
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Untitled (woman stain), 2001

Digital C-Print Mounted to Aluminum
48 × 60 × 1 in
121.9 × 152.4 × 2.5 cm
Edition 6/10
This is part of a limited edition set.
Contact For Price
Location
Houston
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About the work
Art Portfolio, Inc.
Houston
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Provenance with Luhring Augustine Gallery, New York

Provenance with Luhring Augustine Gallery, New York

Medium
Photography
Signature
Signed, verso
Image rights
All Images Copyright to Artist and Art Portfolio, Inc.
Gregory Crewdson
American, b. 1962
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In suburban settings or on elaborately detailed sets of American homes, interiors, and neighborhoods, Gregory Crewdson stages haunting, cinematic photos of alienation and eerie quietude. “I’ve always been interested in wanting to construct the world in photographs,” he has said. Crewdson’s work combines the documentary style of William Eggleston and Walker Evans with a dreamlike quality reminiscent of such filmmakers as Stephen Spielberg and David Lynch. Yet unlike those directors, Crewdson is compelled by how the still image freezes time and sets limitations, “like a story that is forever frozen in between moments, before and after, and always left as a kind of unresolved question,” he describes. His quietly disturbing American settings, with their immaculately staged lighting and somber, solitary figures, are often seen as functioning in conversation with the works of Edward Hopper.

Gregory Crewdson, ‘Untitled (woman stain)’, 2001, Art Portfolio, Inc.
Gregory Crewdson, ‘Untitled (woman stain)’, 2001, Art Portfolio, Inc.
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Art Portfolio, Inc.
Houston
Follow

Provenance with Luhring Augustine Gallery, New York

Provenance with Luhring Augustine Gallery, New York

Medium
Photography
Signature
Signed, verso
Image rights
All Images Copyright to Artist and Art Portfolio, Inc.
Gregory Crewdson
American, b. 1962
Follow

In suburban settings or on elaborately detailed sets of American homes, interiors, and neighborhoods, Gregory Crewdson stages haunting, cinematic photos of alienation and eerie quietude. “I’ve always been interested in wanting to construct the world in photographs,” he has said. Crewdson’s work combines the documentary style of William Eggleston and Walker Evans with a dreamlike quality reminiscent of such filmmakers as Stephen Spielberg and David Lynch. Yet unlike those directors, Crewdson is compelled by how the still image freezes time and sets limitations, “like a story that is forever frozen in between moments, before and after, and always left as a kind of unresolved question,” he describes. His quietly disturbing American settings, with their immaculately staged lighting and somber, solitary figures, are often seen as functioning in conversation with the works of Edward Hopper.

Untitled (woman stain), 2001

Digital C-Print Mounted to Aluminum
48 × 60 × 1 in
121.9 × 152.4 × 2.5 cm
Edition 6/10
This is part of a limited edition set.
Contact For Price
Location
Houston
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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