Gu Dexin, ‘2004.05.09’, 2004, DSL Collection
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Gu Dexin

2004.05.09, 2004

Installation
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About the work
DSL Collection

Artist statement - "The way the audiences perceive an artwork or an exhibition should not be …

Medium
Gu Dexin
Chinese, b. 1962
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A pioneer of contemporary Chinese art, Gu Dexin is best known for his subversive installations that explore the concepts of decay and permanence. Since the 1980s, Gu has rejected the exploration of China’s socialist legacy that preoccupies many of his contemporaries, instead filling galleries with fruit or meat, which he would allow to rot in the gallery space. For other works he installs arrangements of mass-produced plastic, as in the toy automobiles of 2004.05.09 (2004), its title reflective of his insistence to not impose meaning on to his works. Gu’s artistic output is extremely varied—he began his career producing surrealistic, figurative paintings, and in recent years has turned to animation and a quieter, less graphic mode of installation, exemplified by 2009-05-02 (2009), a peaceful, cemetery-like piece accompanied by accusatory texts like “WE KILLED HUMANS.” Gu ended his career upon completing this work.

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About the work
DSL Collection

Artist statement - "The way the audiences perceive an artwork or an exhibition should not be confined by the use of language. From my personal perspective, the inscription of a date also signifies the opening or closing of an event. For me, this date is a closing. But for others, it is a beginning."

Medium
Gu Dexin
Chinese, b. 1962
Follow

A pioneer of contemporary Chinese art, Gu Dexin is best known for his subversive installations that explore the concepts of decay and permanence. Since the 1980s, Gu has rejected the exploration of China’s socialist legacy that preoccupies many of his contemporaries, instead filling galleries with fruit or meat, which he would allow to rot in the gallery space. For other works he installs arrangements of mass-produced plastic, as in the toy automobiles of 2004.05.09 (2004), its title reflective of his insistence to not impose meaning on to his works. Gu’s artistic output is extremely varied—he began his career producing surrealistic, figurative paintings, and in recent years has turned to animation and a quieter, less graphic mode of installation, exemplified by 2009-05-02 (2009), a peaceful, cemetery-like piece accompanied by accusatory texts like “WE KILLED HUMANS.” Gu ended his career upon completing this work.

Gu Dexin

2004.05.09, 2004

Installation
Want to sell a work by this artist? Consign with Artsy.
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