Guy Tillim, ‘Tahiti’, 2011, Stevenson
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Guy Tillim

Tahiti, 2011

Pigment ink on cotton paper
42 1/2 × 56 7/10 in
108 × 144 cm
€9,800
Location
Cape Town, Johannesburg, Amsterdam
Have a question? Visit our help center.
Guy Tillim
South African, b. 1962
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Considered one of South Africa’s leading photographers, Guy Tillim focuses his lens on Africa’s social and political terrain, capturing child soldiers in the Congo, refugees in Angola, and urban life in Johannesburg. Tillim explores not only places of crisis in Africa, but also captures quieter scenes—in post offices, schools, and hotels. His carefully composed images counter the drama usually found in photojournalism, expressing instead the complex realities and perceptions of Africa. In his series “Avenue Patrice Lumumba” (2007–08), Tillim documented the many streets in Africa named after Patrice Lumumba, one of the continent’s first elected African leaders of modern times, who was later murdered. Depicting modernist buildings in various states of decay, Tillim suggests the failed idealism of Africa’s independence movement. “Patrice Lumumba’s dream, his nationalism, is discernible in the structures, if one reads certain clues,” Tillim has said, “as is the death of his dream, in these de facto monuments.”

Guy Tillim, ‘Tahiti’, 2011, Stevenson
Save
Save
View
View in room
Share
Share
Guy Tillim
South African, b. 1962
Follow

Considered one of South Africa’s leading photographers, Guy Tillim focuses his lens on Africa’s social and political terrain, capturing child soldiers in the Congo, refugees in Angola, and urban life in Johannesburg. Tillim explores not only places of crisis in Africa, but also captures quieter scenes—in post offices, schools, and hotels. His carefully composed images counter the drama usually found in photojournalism, expressing instead the complex realities and perceptions of Africa. In his series “Avenue Patrice Lumumba” (2007–08), Tillim documented the many streets in Africa named after Patrice Lumumba, one of the continent’s first elected African leaders of modern times, who was later murdered. Depicting modernist buildings in various states of decay, Tillim suggests the failed idealism of Africa’s independence movement. “Patrice Lumumba’s dream, his nationalism, is discernible in the structures, if one reads certain clues,” Tillim has said, “as is the death of his dream, in these de facto monuments.”

Guy Tillim

Tahiti, 2011

Pigment ink on cotton paper
42 1/2 × 56 7/10 in
108 × 144 cm
€9,800
Location
Cape Town, Johannesburg, Amsterdam
Have a question? Visit our help center.
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