Hannah Höch, ‘Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany’, 1919, Drawing, Collage or other Work on Paper, Collage, Art Resource
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Hannah Höch

Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919

Collage
44 9/10 × 35 2/5 in
114 × 90 cm
Location
New York
Want to sell a work by this artist? Consign with Artsy.
AR
Art Resource
New York
Medium
Image rights
bpk, Berlin / Nationalgalerie, Staatliche Museen, Berlin, Germany / Photo: Jörg P. Anders / Art Resource, NY / Höch, Hannah (1889-1978) © …
Hannah Höch
German, 1889–1978
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Known for her incisively political collage and photomontage works, Dada artist Hannah Höch appropriated and rearranged images and text from the mass media to critique the failings of the Weimar German Government. Höch drew inspiration from the collage work of Pablo Picasso and fellow Dada exponent Kurt Schwitters, and her own compositions share with those artists a similarly dynamic and layered style. Höch preferred metaphoric imagery to the more direct, text-based confrontational approach of her contemporary John Heartfield, whose work she found “tendentious.” She rejected the German government, but often focused her criticism more narrowly on gender issues, and is recognized as a pioneering feminist artist for works such as Das schöne Mädchen (The Beautiful Girl), (1920), an evocative visual reaction to the birth of industrial advertising and ideals of beauty it furthered. Höch was, for a period of time, the partner of Dada artist Raoul Haussman.

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Hannah Höch, ‘Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany’, 1919, Drawing, Collage or other Work on Paper, Collage, Art Resource
Navigate right
Save
Save
View
View in room
Share
Share
AR
Art Resource
New York
Medium
Image rights
bpk, Berlin / Nationalgalerie, Staatliche Museen, Berlin, Germany / Photo: Jörg P. Anders / Art Resource, NY / Höch, Hannah (1889-1978) © …
Hannah Höch
German, 1889–1978
Follow

Known for her incisively political collage and photomontage works, Dada artist Hannah Höch appropriated and rearranged images and text from the mass media to critique the failings of the Weimar German Government. Höch drew inspiration from the collage work of Pablo Picasso and fellow Dada exponent Kurt Schwitters, and her own compositions share with those artists a similarly dynamic and layered style. Höch preferred metaphoric imagery to the more direct, text-based confrontational approach of her contemporary John Heartfield, whose work she found “tendentious.” She rejected the German government, but often focused her criticism more narrowly on gender issues, and is recognized as a pioneering feminist artist for works such as Das schöne Mädchen (The Beautiful Girl), (1920), an evocative visual reaction to the birth of industrial advertising and ideals of beauty it furthered. Höch was, for a period of time, the partner of Dada artist Raoul Haussman.

Hannah Höch

Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919

Collage
44 9/10 × 35 2/5 in
114 × 90 cm
Location
New York
Want to sell a work by this artist? Consign with Artsy.
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