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Hans Hartung

G22, 1957

Etching
26 1/5 × 19 9/10 in
66.5 × 50.5 cm
This is part of a limited edition set.
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About the work
Le Coin des Arts
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51,5 x 37,6 cm (image) - 66,5 x 50,5 cm (sheet)
Printed by Lacourière (Paris) - Published by …

Read more

51,5 x 37,6 cm (image) - 66,5 x 50,5 cm (sheet)
Printed by Lacourière (Paris) - Published by Berggruen et Cie (Paris)
LCD3222

Signature
Handsigned by the artist in pencil and numbered 78/100
Hans Hartung
French-German, 1904–1989
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Hans Hartung is associated with post-war Art Informel artists such as Karel Appel, Jean-Paul Riopelle, and Jean Dubuffet. After being a prisoner of war and losing a leg as a soldier with the Foreign Legion (between 1939 and 1945), Hartung returned to Paris, where he became particularly interested in spontaneity, irrationality, and freedom of form. Rather than trying to control the process as earlier abstract painters had, Hartung applied paint with garden rakes, spray paint, and olive branches, embracing accidental and unexpected outcomes. "In my opinion the painting which is called abstract is none of the 'Isms' of which there have been so many lately," he said. "It is neither a 'style' nor an 'epoch' in art history, but merely a new means of expression, a different human language—one which is more direct than that of earlier painting." Notable influences include Emil Nolde, Oskar Kokoschka, and other German expressionists.

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About the work
Le Coin des Arts
Follow

51,5 x 37,6 cm (image) - 66,5 x 50,5 cm (sheet)
Printed by Lacourière (Paris) - Published by …

Read more

51,5 x 37,6 cm (image) - 66,5 x 50,5 cm (sheet)
Printed by Lacourière (Paris) - Published by Berggruen et Cie (Paris)
LCD3222

Signature
Handsigned by the artist in pencil and numbered 78/100
Hans Hartung
French-German, 1904–1989
Follow

Hans Hartung is associated with post-war Art Informel artists such as Karel Appel, Jean-Paul Riopelle, and Jean Dubuffet. After being a prisoner of war and losing a leg as a soldier with the Foreign Legion (between 1939 and 1945), Hartung returned to Paris, where he became particularly interested in spontaneity, irrationality, and freedom of form. Rather than trying to control the process as earlier abstract painters had, Hartung applied paint with garden rakes, spray paint, and olive branches, embracing accidental and unexpected outcomes. "In my opinion the painting which is called abstract is none of the 'Isms' of which there have been so many lately," he said. "It is neither a 'style' nor an 'epoch' in art history, but merely a new means of expression, a different human language—one which is more direct than that of earlier painting." Notable influences include Emil Nolde, Oskar Kokoschka, and other German expressionists.

Hans Hartung

G22, 1957

Etching
26 1/5 × 19 9/10 in
66.5 × 50.5 cm
This is part of a limited edition set.
Contact For Price
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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