Hans Hartung, ‘L 106; L 1966-2 (M. 184; 244)’, 1963 and 1969, Doyle
Hans Hartung, ‘L 106; L 1966-2 (M. 184; 244)’, 1963 and 1969, Doyle
Hans Hartung, ‘L 106; L 1966-2 (M. 184; 244)’, 1963 and 1969, Doyle
Hans Hartung, ‘L 106; L 1966-2 (M. 184; 244)’, 1963 and 1969, Doyle

signed, one numbered 9/25, one inscribed EA in pencil, printed by Erker-Presse, Saint-Gall., published by the artist, with good or full margins, framed. (2)

Larger: 21.25 x 27.25 inches; 540 x 692 mm.

Condition: Pale lightstain, the first with some pale discoloration in the bottom margin at left, otherwise in apparently good condition (unexamined out of the frames).

Dorothy Lewis 2013 Irrevocable Trust

About Hans Hartung

Hans Hartung is associated with post-war Art Informel artists such as Karel Appel, Jean-Paul Riopelle, and Jean Dubuffet. After being a prisoner of war and losing a leg as a soldier with the Foreign Legion (between 1939 and 1945), Hartung returned to Paris, where he became particularly interested in spontaneity, irrationality, and freedom of form. Rather than trying to control the process as earlier abstract painters had, Hartung applied paint with garden rakes, spray paint, and olive branches, embracing accidental and unexpected outcomes. "In my opinion the painting which is called abstract is none of the 'Isms' of which there have been so many lately," he said. "It is neither a 'style' nor an 'epoch' in art history, but merely a new means of expression, a different human language—one which is more direct than that of earlier painting." Notable influences include Emil Nolde, Oskar Kokoschka, and other German expressionists.

French-German, 1904-1989, Leipzig, Germany, based in France

Solo Shows

2018
Kunstmuseum Bonn, 
Bonn, Germany,
Hans Hartung: Painting as an Experiment – Works from 1962-1989

Group Shows

2018
2017
London,
Current stock
2017
London,
10H TS
2015
2007
Fondazione Malvina Menegaz, 
Castelbasso, Province of Teramo, Italy,
Nel Segno della Materia - Pittura Informale Europea e Americana
View Artist's CV