Hans Hartung, ‘P1971-20’, 1971, Ludorff

The work has been registered for the catalogue raisonné currently being prepared by the Fondation Hans Hartung and Anna-Eva Bergman, Antibes and is registered in the estate’s archive as no. CT HH5556-0
Certificate of Authenticity by Stiftung Hans Hartung und Anna-Eva Bergman, Antibes

Signature: Signed and "71" dated also verso "P1971-20", "50 x 73 cm", "HAUT", "X", "R" and "PHOT. I 160 le 1.09.71" marked

Image rights: © VG Bild-Kunst, Bonn 2017

Private Collection Italy

About Hans Hartung

Hans Hartung is associated with post-war Art Informel artists such as Karel Appel, Jean-Paul Riopelle, and Jean Dubuffet. After being a prisoner of war and losing a leg as a soldier with the Foreign Legion (between 1939 and 1945), Hartung returned to Paris, where he became particularly interested in spontaneity, irrationality, and freedom of form. Rather than trying to control the process as earlier abstract painters had, Hartung applied paint with garden rakes, spray paint, and olive branches, embracing accidental and unexpected outcomes. "In my opinion the painting which is called abstract is none of the 'Isms' of which there have been so many lately," he said. "It is neither a 'style' nor an 'epoch' in art history, but merely a new means of expression, a different human language—one which is more direct than that of earlier painting." Notable influences include Emil Nolde, Oskar Kokoschka, and other German expressionists.

French-German, 1904-1989, Leipzig, Germany, based in France

Solo Shows

Kunstmuseum Bonn, 
Bonn, Germany,
Hans Hartung: Painting as an Experiment – Works from 1962-1989
View Artist's CV