Three Photographers Push the Limits of Black and White at Pace/MacGill
Printed in the 1970s. 17 x 14 inch overmat included.
Signature: Signed in pencil (on the photo paper) on the front. Signed and numbered EM24 on the back of the print. (Not Mounted)
From Light Gallery, NYC, in the 1979. In one private collection with the Weston Gallery, 2013.
A highly influential artist and teacher, Harry Callahan produced photographs that combined elegant precision, sensuality, and restless experimentalism. He used the camera as a tool of personal expression, once proclaiming, “photography is an adventure just as life is an adventure.” He often turned his camera onto his own life, his wife serving as one of his most beloved and frequent subjects, her importance to his practice such that she was once called “an additional f-stop on his lens.” Constantly testing the limits of his medium, Callahan created photographs that surpassed factual representation, revealing the graphic beauty in the everyday. He taught alongside László Moholy-Nagy and earned the deep admiration of Edward Steichen, who included his work in several exhibitions.
American, 1912-1999, Detroit, Michigan