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He Xiangyu

Cavity, 2015

Bronze, marble plate, glass and iron
69 4/5 × 22 1/10 × 22 1/10 in
177.2 × 56.2 × 56.2 cm
This is a unique work.
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location
London, Hong Kong, Miami
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About the work
Image rights
He Xiangyu, 'Cavity', 2015 © He Xiangyu. Photo © Yangchao Photography Studio, Beijing, China Courtesy White Cube
He Xiangyu
Chinese, b. 1986
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Conceptual artist He Xiangyu is perhaps best known for his headline-grabbing work The Death of Marat (2011), which featured a life-like resin sculpture of the corpse of Chinese dissident artist Ai Weiwei placed in the window of a German gallery. The title nods to the famous Neoclassical painting of French revolutionary Jean-Paul Marat by Jacques-Louis David, thereby elevating Ai to the status of a tragic hero. To create Cola Project (2009), an apocalyptic landscape of coal-like dark matter, He took over an entire lumber mill and employed a team of migrant workers to boil and reduce 127 tons of Coca-Cola over the course of a year. The piece has been read as a comment on the insidious nature of globalized consumer culture. He is an admirer of Maurizio Cattelan, and he shares something of Cattelan’s irreverence. “Nothing that isn’t allowed in China cannot not be done,” he has said.

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share
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share
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About the work
Image rights
He Xiangyu, 'Cavity', 2015 © He Xiangyu. Photo © Yangchao Photography Studio, Beijing, China Courtesy White Cube
He Xiangyu
Chinese, b. 1986
Follow

Conceptual artist He Xiangyu is perhaps best known for his headline-grabbing work The Death of Marat (2011), which featured a life-like resin sculpture of the corpse of Chinese dissident artist Ai Weiwei placed in the window of a German gallery. The title nods to the famous Neoclassical painting of French revolutionary Jean-Paul Marat by Jacques-Louis David, thereby elevating Ai to the status of a tragic hero. To create Cola Project (2009), an apocalyptic landscape of coal-like dark matter, He took over an entire lumber mill and employed a team of migrant workers to boil and reduce 127 tons of Coca-Cola over the course of a year. The piece has been read as a comment on the insidious nature of globalized consumer culture. He is an admirer of Maurizio Cattelan, and he shares something of Cattelan’s irreverence. “Nothing that isn’t allowed in China cannot not be done,” he has said.

He Xiangyu

Cavity, 2015

Bronze, marble plate, glass and iron
69 4/5 × 22 1/10 × 22 1/10 in
177.2 × 56.2 × 56.2 cm
This is a unique work.
Contact For Price
location
London, Hong Kong, Miami
Have a question? Read our FAQ.
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