Hebru Brantley, ‘ Hebru Brantley Flyboy (Beyond the Beyond) ’, 2018, Lot 180
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Hebru Brantley

Hebru Brantley Flyboy (Beyond the Beyond) , 2018

Vinyl, Cast Resin
9 × 8 × 4 in
22.9 × 20.3 × 10.2 cm
This is a non-editioned multiple.
$675
Ships from New York, NY, US
Shipping: $14 domestic, $98 rest of world
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Want to sell a work by this artist? Consign with Artsy.
About the work
Provenance

Hebru Brantley’s spunky FlyBoy, with his signature dark skin, pilot goggles, and a red handkerchief …

Lot 180

Hebru Brantley Beyond the Beyond, 2018. New in its original packaging.

Medium: Painted cast vinyl.

Medium
Sculpture
Condition
New/excellent.
Signature
Not signed
Certificate of authenticity
Not included
Frame
Not included
Series
Hebru Brantley Flyboy
Price ranges of small sculptures by Hebru Brantley
Learn more
More info
Browse works in this category
$650–$700
This work
$0
$1,350+
Hebru Brantley
American, b. 1981
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Expressing his active imagination and fantasies, Hebru Brantley’s comic book-style compositions address his own experiences of African American and urban life in America. Having grown up tagging trains, walls, and other city surfaces as part of the 1990s graffiti scene, Brantley now creates mixed-media paintings and sculptures that aptly reflect the street’s energy and aesthetic. He credits the work of Jean-Michel Basquiat with sparking his realization that street art was viable and valuable. Speaking of his youth, he says: “We’d scratch-bomb on trains, tag freight cars…do throw-ups across the city. It was all about getting your name up wherever you could.” Defining himself as an Afro-futurist, Brantley draws from a range of influences—including Keith Haring, African American history, hip-hop, anime, and manga.

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Hebru Brantley, ‘ Hebru Brantley Flyboy (Beyond the Beyond) ’, 2018, Lot 180
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About the work
Provenance

Hebru Brantley’s spunky FlyBoy, with his signature dark skin, pilot goggles, and a red handkerchief around his neck, tows the line between kid next door and symbol of political empowerment. In Brantley’s paintings and sculptures, FlyBoy is just as likely to appear fighting crime as he is having fun—jamming with his …

Lot 180

Hebru Brantley Beyond the Beyond, 2018. New in its original packaging.

Medium: Painted cast vinyl.
Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm).
New and sealed in its original packaging.
From a sold out un-numbered edition; published by Hebru Brantley, Billionaire Boys Club & BAIT.
Authenticity guaranteed.

Medium
Sculpture
Condition
New/excellent.
Signature
Not signed
Certificate of authenticity
Not included
Frame
Not included
Series
Hebru Brantley Flyboy
Price ranges of small sculptures by Hebru Brantley
Learn more
More info
Browse works in this category
$650–$700
This work
$0
$1,350+
Hebru Brantley
American, b. 1981
Follow

Expressing his active imagination and fantasies, Hebru Brantley’s comic book-style compositions address his own experiences of African American and urban life in America. Having grown up tagging trains, walls, and other city surfaces as part of the 1990s graffiti scene, Brantley now creates mixed-media paintings and sculptures that aptly reflect the street’s energy and aesthetic. He credits the work of Jean-Michel Basquiat with sparking his realization that street art was viable and valuable. Speaking of his youth, he says: “We’d scratch-bomb on trains, tag freight cars…do throw-ups across the city. It was all about getting your name up wherever you could.” Defining himself as an Afro-futurist, Brantley draws from a range of influences—including Keith Haring, African American history, hip-hop, anime, and manga.

Hebru Brantley

Hebru Brantley Flyboy (Beyond the Beyond) , 2018

Vinyl, Cast Resin
9 × 8 × 4 in
22.9 × 20.3 × 10.2 cm
This is a non-editioned multiple.
$675
Ships from New York, NY, US
Shipping: $14 domestic, $98 rest of world
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Want to sell a work by this artist? Consign with Artsy.
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