Helen Frankenthaler, ‘East and Beyond’, 1973, Print, Woodcut, Leslie Sacks Gallery
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Helen Frankenthaler

East and Beyond, 1973

Woodcut
31 1/2 × 21 1/2 in
80 × 54.6 cm
Edition of 18
.
Contact For Price
Location
Santa Monica
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About the work
Medium
Signature
Hand-signed by artist, Signed and numbered
Helen Frankenthaler
American, 1928–2011
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A second-generation Abstract Expressionist painter, Helen Frankenthaler became active in the New York School of the 1950s, initially influenced by artists like Arshile Gorky, Willem de Kooning, and Jackson Pollock. She gained fame with her invention of the color-stain technique—applying thin washes of paint to unprimed canvas—in her iconic Mountains and Sea (1952), a motivating work for Morris Louis, Kenneth Noland, and other Color Field painters who emerged in the ’60s. Her own canvases, however, often evoked elements of landscape or figuration in the shaping of their forms. “My pictures are full of climates, abstract climates,” she once said. “They're not nature per se, but a feeling.” From 1958 to 1971, she was married to fellow Abstract Expressionist Robert Motherwell, who, like Frankenthaler, worked in symbolic painted gestures—only her paintings were almost always visibly improvised from start to finish. As poet and critic Frank O’Hara wrote in 1960, “she is willing to risk everything on inspiration.” In addition to painting, Frankenthaler also made ceramics, welded steel sculptures, and set designs, but the related medium that most attracted her, and in which her achievement came the closest painting, was printmaking—especially the creation of woodcuts, hers counting among the greatest of contemporary works in that medium.

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Helen Frankenthaler, ‘East and Beyond’, 1973, Print, Woodcut, Leslie Sacks Gallery
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Save
Save
View
View in room
Share
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About the work
Medium
Signature
Hand-signed by artist, Signed and numbered
Helen Frankenthaler
American, 1928–2011
Follow

A second-generation Abstract Expressionist painter, Helen Frankenthaler became active in the New York School of the 1950s, initially influenced by artists like Arshile Gorky, Willem de Kooning, and Jackson Pollock. She gained fame with her invention of the color-stain technique—applying thin washes of paint to unprimed canvas—in her iconic Mountains and Sea (1952), a motivating work for Morris Louis, Kenneth Noland, and other Color Field painters who emerged in the ’60s. Her own canvases, however, often evoked elements of landscape or figuration in the shaping of their forms. “My pictures are full of climates, abstract climates,” she once said. “They're not nature per se, but a feeling.” From 1958 to 1971, she was married to fellow Abstract Expressionist Robert Motherwell, who, like Frankenthaler, worked in symbolic painted gestures—only her paintings were almost always visibly improvised from start to finish. As poet and critic Frank O’Hara wrote in 1960, “she is willing to risk everything on inspiration.” In addition to painting, Frankenthaler also made ceramics, welded steel sculptures, and set designs, but the related medium that most attracted her, and in which her achievement came the closest painting, was printmaking—especially the creation of woodcuts, hers counting among the greatest of contemporary works in that medium.

Helen Frankenthaler

East and Beyond, 1973

Woodcut
31 1/2 × 21 1/2 in
80 × 54.6 cm
Edition of 18
.
Contact For Price
Location
Santa Monica
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Helen Frankenthaler
Other works from Leslie Sacks Gallery
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