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Behind the Gare Saint-Lazare, Paris, 1932

Gelatin silver print, printed 1947
13 4/5 × 9 2/5 in
35 × 24 cm
Bidding closed
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About the work
Exhibition history
Bibliography
Provenance
P
Phillips

Property Subject to VAT Section 4, 5%; Property Subject to Artist's Resale Right (see …

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Property Subject to VAT Section 4, 5%; Property Subject to Artist's Resale Right (see Conditions of Sale for further information)
Image: 35 x 24 cm (13 3/4 x 9 1/2 in.)
Sheet: 35 x 28.3 cm (13 3/4 x 11 1/8 in.)

From the Catalogue:
‘Photography is just luck. There was a fence, and I poked my camera through the fence. …

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Signature
Indistinctly numbered in an unidentified hand in pencil in the margin, titled, dated and annotated in unidentified hands in pencil, credit reproduction limitation and LIFE stamps, printed title, date, credit and Museum of Modern Art exhibition labels on the verso. Accompanied by a Certificate from the Fondation Henri Cartier-Bresson signed by Agnès Sire, Director.
Henri Cartier-Bresson
French, 1908–2004
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Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the …

Read more

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the spontaneity of photography and went on to pioneer photojournalism. MoMA credits his “uncanny ability to capture life on the run” with helping to define the creative potential of modern photography and lauds him as “the …

Read more
navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Exhibition history
Bibliography
Provenance
P
Phillips

Property Subject to VAT Section 4, 5%; Property Subject to Artist's Resale Right (see …

Read more

Property Subject to VAT Section 4, 5%; Property Subject to Artist's Resale Right (see Conditions of Sale for further information)
Image: 35 x 24 cm (13 3/4 x 9 1/2 in.)
Sheet: 35 x 28.3 cm (13 3/4 x 11 1/8 in.)

From the Catalogue:
‘Photography is just luck. There was a fence, and I poked my camera through the fence. …

Read more
Signature
Indistinctly numbered in an unidentified hand in pencil in the margin, titled, dated and annotated in unidentified hands in pencil, credit reproduction limitation and LIFE stamps, printed title, date, credit and Museum of Modern Art exhibition labels on the verso. Accompanied by a Certificate from the Fondation Henri Cartier-Bresson signed by Agnès Sire, Director.
Henri Cartier-Bresson
French, 1908–2004
Follow

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the …

Read more

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the spontaneity of photography and went on to pioneer photojournalism. MoMA credits his “uncanny ability to capture life on the run” with helping to define the creative potential of modern photography and lauds him as “the …

Read more

Behind the Gare Saint-Lazare, Paris, 1932

Gelatin silver print, printed 1947
13 4/5 × 9 2/5 in
35 × 24 cm
Bidding closed
Want to sell a work by this artist? Learn more.