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Behind the Gare Saint-Lazare, Paris, 1932

Gelatin silver print, printed later
14 × 9 1/2 in
35.6 × 24.1 cm
Bidding closed
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About the work
Bibliography
Provenance
P
Phillips

From the Catalogue:
During Susan Bloom's tenure as Vice President for Worldwide Cultural Affairs …

Read more

From the Catalogue:
During Susan Bloom's tenure as Vice President for Worldwide Cultural Affairs at American Express Company, she oversaw the 1979 touring exhibition Henri Cartier-Bresson: Photographer which traveled to 20 cities in the United States and to 23 countries internationally, over 10 years. The …

Read more
Signature
Signed, inscribed 'for Susan... with all my gratitude for having brough [sic], my pictures to people world wide' in ink and copyright credit blindstamp in the margin.
Henri Cartier-Bresson
French, 1908–2004
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Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the …

Read more

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the spontaneity of photography and went on to pioneer photojournalism. MoMA credits his “uncanny ability to capture life on the run” with helping to define the creative potential of modern photography and lauds him as “the …

Read more
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
Provenance
P
Phillips

From the Catalogue:
During Susan Bloom's tenure as Vice President for Worldwide Cultural Affairs …

Read more

From the Catalogue:
During Susan Bloom's tenure as Vice President for Worldwide Cultural Affairs at American Express Company, she oversaw the 1979 touring exhibition Henri Cartier-Bresson: Photographer which traveled to 20 cities in the United States and to 23 countries internationally, over 10 years. The …

Read more
Signature
Signed, inscribed 'for Susan... with all my gratitude for having brough [sic], my pictures to people world wide' in ink and copyright credit blindstamp in the margin.
Henri Cartier-Bresson
French, 1908–2004
Follow

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the …

Read more

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the spontaneity of photography and went on to pioneer photojournalism. MoMA credits his “uncanny ability to capture life on the run” with helping to define the creative potential of modern photography and lauds him as “the …

Read more

Behind the Gare Saint-Lazare, Paris, 1932

Gelatin silver print, printed later
14 × 9 1/2 in
35.6 × 24.1 cm
Bidding closed
Want to sell a work by this artist? Learn more.