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Seville, 1933

Gelatin silver print
8 × 10 in
20.4 × 25.5 cm
Bidding closed
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About the work
Bibliography
Provenance
C
Christie's

annotated in an unknown hand in ink (verso)
image: 6 5/8 x 10 in. (16.8 x 25.4 cm.)
sheet: 8 x 10 in. …

Read more

annotated in an unknown hand in ink (verso)
image: 6 5/8 x 10 in. (16.8 x 25.4 cm.)
sheet: 8 x 10 in. (20.4 x 25.5 cm.)

Henri Cartier-Bresson
French, 1908–2004
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Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the …

Read more

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the spontaneity of photography and went on to pioneer photojournalism. MoMA credits his “uncanny ability to capture life on the run” with helping to define the creative potential of modern photography and lauds him as “the …

Read more
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
Provenance
C
Christie's

annotated in an unknown hand in ink (verso)
image: 6 5/8 x 10 in. (16.8 x 25.4 cm.)
sheet: 8 x 10 in. …

Read more

annotated in an unknown hand in ink (verso)
image: 6 5/8 x 10 in. (16.8 x 25.4 cm.)
sheet: 8 x 10 in. (20.4 x 25.5 cm.)

Henri Cartier-Bresson
French, 1908–2004
Follow

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the …

Read more

Upon picking up a Leica camera in the early 1930s, Henri Cartier-Bresson fell in love with the spontaneity of photography and went on to pioneer photojournalism. MoMA credits his “uncanny ability to capture life on the run” with helping to define the creative potential of modern photography and lauds him as “the …

Read more

Seville, 1933

Gelatin silver print
8 × 10 in
20.4 × 25.5 cm
Bidding closed
Want to sell a work by this artist? Learn more.