Henri Matisse, ‘Icare (Icarus)’, 1947, Galerie d'Orsay

Jazz is the only book in which Matisse provided both text and illustrations. In his later years, his exploration of color and shape often were accomplished with cut and arranged paper. In Jazz, Matisse utilized the pochoir technique to produce the flat, brillant colors of the original collages. The bold compositions and visual energy of this volume have made it the most sought-after of all the twentieth-century artists’ print collections.
The album published by Efstratios Teriade, Paris, 1947; stencil cut & printed by Edmond Variel.

Marc Barbezat (1913-99)

Series: Jazz Suite

About Henri Matisse

Henri Matisse was a leading figure of Fauvism and, along with Pablo Picasso, one of the most influential artists of the modern era. In his paintings, sculptures, and works on paper, Matisse experimented with vivid colors, Pointillist techniques, and reduced, flat shapes. “What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter,” he once said; his subjects of choice included nudes, dancers, still lifes, and interior scenes. Matisse’s animated brushwork and seemingly arbitrary application of bright colors, as in Woman with a Hat (1905), would prove foundational to Fauvism, while his similarly radical The Red Studio (1911) was a seminal, nearly monochromatic study in perspective. Later in life, physically debilitated, Matisse would turn to making bold, cut-paper collages. He has influenced a wide range of important 20th-century painters, from Hans Hofmann and Milton Avery to Tom Wesselmann and David Hockney.

French, 1869-1954, Le Cateau-Cambrésis, France, based in Paris and Nice, Alpes-Maritimes, France