Henri Matisse, ‘Nus Bleus XI’, 1958, Reproduction, Color lithograph on wove paper, Baterbys
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Henri Matisse

Nus Bleus XI, 1958

Color lithograph on wove paper
14 × 10 in
35.6 × 25.4 cm
.
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Medium
Signature
Signed and dated in plate
Publisher
Dernieres Oeuvres De Matisse 1950-1954, Verve Vol IX, Editions de la Revue Verve, Paris
Henri Matisse
French, 1869–1954
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Henri Matisse was a leading figure of Fauvism and, along with Pablo Picasso, one of the most influential artists of the modern era. In his paintings, sculptures, and works on paper, Matisse experimented with vivid colors, Pointillist techniques, and reduced, flat shapes. “What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter,” he once said; his subjects of choice included nudes, dancers, still lifes, and interior scenes. Matisse’s animated brushwork and seemingly arbitrary application of bright colors, as in Woman with a Hat (1905), would prove foundational to Fauvism, while his similarly radical The Red Studio (1911) was a seminal, nearly monochromatic study in perspective. Later in life, physically debilitated, Matisse would turn to making bold, cut-paper collages. He has influenced a wide range of important 20th-century painters, from Hans Hofmann and Milton Avery to Tom Wesselmann and David Hockney.

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Henri Matisse, ‘Nus Bleus XI’, 1958, Reproduction, Color lithograph on wove paper, Baterbys
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Save
Save
View
View in room
Share
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Medium
Signature
Signed and dated in plate
Publisher
Dernieres Oeuvres De Matisse 1950-1954, Verve Vol IX, Editions de la Revue Verve, Paris
Henri Matisse
French, 1869–1954
Follow

Henri Matisse was a leading figure of Fauvism and, along with Pablo Picasso, one of the most influential artists of the modern era. In his paintings, sculptures, and works on paper, Matisse experimented with vivid colors, Pointillist techniques, and reduced, flat shapes. “What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter,” he once said; his subjects of choice included nudes, dancers, still lifes, and interior scenes. Matisse’s animated brushwork and seemingly arbitrary application of bright colors, as in Woman with a Hat (1905), would prove foundational to Fauvism, while his similarly radical The Red Studio (1911) was a seminal, nearly monochromatic study in perspective. Later in life, physically debilitated, Matisse would turn to making bold, cut-paper collages. He has influenced a wide range of important 20th-century painters, from Hans Hofmann and Milton Avery to Tom Wesselmann and David Hockney.

Henri Matisse

Nus Bleus XI, 1958

Color lithograph on wove paper
14 × 10 in
35.6 × 25.4 cm
.
Sold
Want to sell a work by this artist? Consign with Artsy.
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