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Henry Darger, ‘Statues strangling children’, 1910-1970, Musée d'Art Moderne de la Ville de Paris
Henry Darger, ‘Statues strangling children’, 1910-1970, Musée d'Art Moderne de la Ville de Paris
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Henry Darger

Statues strangling children, 1910-1970

Graphite pencil, watercolor and gouache on six sheets of vellum
24 3/5 × 108 3/10 in
62.5 × 275 cm
About the work
Exhibition history
Medium
Drawing, Collage or other Work on Paper
Image rights
© Eric Emo / Musée d'Art Moderne / Roger-Viollet © 2015 Kiyoko Lerner / ADAGP, Paris
Henry Darger
American, 1892–1973
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Henry Darger, a self-taught artist, began working on his magnum opus, an epic work of literature replete with drawings, at the age of 19. The final work, known by the title The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, totaled over 15,000 single-spaced pages and 300 paintings as a manuscript. The work was based loosely on the events of the Civil War, but recast with children as emancipated heroes; it addressed issues of innocence, slavery, destruction, and the ultimate triumph of good over evil. Darger led a solitary and even reclusive life as a janitor in a Chicago hospital for the majority of his life. It was not until after his death that his artistic production was discovered.

Henry Darger, ‘Statues strangling children’, 1910-1970, Musée d'Art Moderne de la Ville de Paris
Henry Darger, ‘Statues strangling children’, 1910-1970, Musée d'Art Moderne de la Ville de Paris
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Medium
Drawing, Collage or other Work on Paper
Image rights
© Eric Emo / Musée d'Art Moderne / Roger-Viollet © 2015 Kiyoko Lerner / ADAGP, Paris
Henry Darger
American, 1892–1973
Follow

Henry Darger, a self-taught artist, began working on his magnum opus, an epic work of literature replete with drawings, at the age of 19. The final work, known by the title The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, totaled over 15,000 single-spaced pages and 300 paintings as a manuscript. The work was based loosely on the events of the Civil War, but recast with children as emancipated heroes; it addressed issues of innocence, slavery, destruction, and the ultimate triumph of good over evil. Darger led a solitary and even reclusive life as a janitor in a Chicago hospital for the majority of his life. It was not until after his death that his artistic production was discovered.

Henry Darger

Statues strangling children, 1910-1970

Graphite pencil, watercolor and gouache on six sheets of vellum
24 3/5 × 108 3/10 in
62.5 × 275 cm
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Other works by Henry Darger
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