herman de vries, ‘unter der birke’, 1989, Borzo Gallery

Signature: signed

“herman de vries : texte und tatsachen”, ingolstadt, museum für konkrete kunst, 2001.
“von der natur in der kunst. eine ausstellung der wiener festwochen" vienna, messepalast, may 3 - july 15, 1990.

“herman de vries: texte und tatsachen” [exhib.cat], museum für konkrete kunst ingolstadt, p. 43.
“von der natur in der kunst. eine ausstellung der wiener festwochen.” [exhib.cat] messepalast wien, 3. mai bis 15 juli 1990. (colour image just after finishing of the art work) p. 187.

galerie müller-roth, stuttgart, germany.
collection burckhart leitner, stuttgart.

About herman de vries

Early in his career, painter herman de vries (who uses all lowercase letters as a symbol of his belief in equality) embraced randomness as an organizing principle. From 1961-66, he was a member of the Nul Group—a cohort of artists that included Henk Peeters, Jan Schoonhoven, and Armando—with whom he produced wall reliefs, large-scale installations, and happenings that explored principles such as repetition and the beauty of everyday objects and activities. Later on, de vries’s practice became quasi-scientific as he investigated plants with medicinal and hallucinogenic power. This led to such projects as the earth museum (1976), housed at the Museum Gassendi, Digne-les-Bains, which contains over 7,000 samples of earth that the artist gathered from all over the world. de vries keeps beautiful journals that include plant specimens, drawings, paintings, and notes.

Dutch, b. 1931, Alkmaar, Netherlands, based in Eschenau, Eckental, Germany

Solo Shows on Artsy

Dutch Pavilion, 56th Venice Biennale, Venice

Group Shows on Artsy

À bout de souffle, Cortesi Gallery, Lugano