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Hiraki Sawa, ‘IOTA 22’, 2016, Ota Fine Arts
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Hiraki Sawa

IOTA 22, 2016

White ink pen drawing, Giclée print on Hahnemühle archival paper
3 1/2 × 1 2/5 in
9 × 3.5 cm
Contact For Price
Location
Tokyo, Singapore, Shanghai
Have a question? Visit our help center.
About the work
Medium
Drawing, Collage or other Work on Paper
Signature
Sticker label
Frame
Included
Hiraki Sawa
Japanese, b. 1977
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In Hiraki Sawa’s evocative single- and multi-channel videos, the artist explores time, memory, migration, displacement, and his own position in the world. Incorporating animation and still shots in his work, he interweaves fantasy and reality, drawing heavily from his life experiences. His inspirations range from his memories of playing on a toy rocking horse as a child, to his fascination with airplanes, to his sense of living between two cultures and identities as a Japanese transplant to London. For him, the process of creating videos is way to manipulate time. In them, time alternates between speeding up, slowing down, expanding, and contracting, as the animals, objects, and tiny human figures that populate his pieces move in and out of the frame, often ranging across domestic spaces. “I just love time,” Sawa once said. “Controlling time is [a] really fascinating activity for me.”

Hiraki Sawa, ‘IOTA 22’, 2016, Ota Fine Arts
Navigate left
Hiraki Sawa, ‘IOTA 22’, 2016, Ota Fine Arts
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Medium
Drawing, Collage or other Work on Paper
Signature
Sticker label
Frame
Included
Hiraki Sawa
Japanese, b. 1977
Follow

In Hiraki Sawa’s evocative single- and multi-channel videos, the artist explores time, memory, migration, displacement, and his own position in the world. Incorporating animation and still shots in his work, he interweaves fantasy and reality, drawing heavily from his life experiences. His inspirations range from his memories of playing on a toy rocking horse as a child, to his fascination with airplanes, to his sense of living between two cultures and identities as a Japanese transplant to London. For him, the process of creating videos is way to manipulate time. In them, time alternates between speeding up, slowing down, expanding, and contracting, as the animals, objects, and tiny human figures that populate his pieces move in and out of the frame, often ranging across domestic spaces. “I just love time,” Sawa once said. “Controlling time is [a] really fascinating activity for me.”

Hiraki Sawa

IOTA 22, 2016

White ink pen drawing, Giclée print on Hahnemühle archival paper
3 1/2 × 1 2/5 in
9 × 3.5 cm
Contact For Price
Location
Tokyo, Singapore, Shanghai
Have a question? Visit our help center.
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