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Baltic Sea, Rügen, 1996

Gelatin silver print triptych.
Bidding closed
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About the work
Bibliography
Provenance
P
Phillips

Each 16 5/8 x 21 1/4 in. (42.2 x 54 cm)
Installation 26 1/2 x 97 in. (67.3 x 246.4 cm)

“Mystery of …

Read more

Each 16 5/8 x 21 1/4 in. (42.2 x 54 cm)
Installation 26 1/2 x 97 in. (67.3 x 246.4 cm)

“Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.” - Hiroshi Sugimoto
—Courtesy …

Read more
Signature
Each signed in pencil on the mount; each with blindstamp title, date, number 15/25 and sequential numbers '450-452' in the margin.
Hiroshi Sugimoto
Japanese, b. 1948
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To craft his exquisite black-and-white images, Hiroshi Sugimoto uses a 19th-century-style, …

Read more

To craft his exquisite black-and-white images, Hiroshi Sugimoto uses a 19th-century-style, large-format camera, exploring his idea of photography as a method for preserving and modeling time. “Endeavors in art are…mere approximations, efforts to render visible unseen realms,” he says. Influenced by Surrealism and Dada

Read more
Save
Save
share
Share
Save
Save
share
Share
About the work
Bibliography
Provenance
P
Phillips

Each 16 5/8 x 21 1/4 in. (42.2 x 54 cm)
Installation 26 1/2 x 97 in. (67.3 x 246.4 cm)

“Mystery of …

Read more

Each 16 5/8 x 21 1/4 in. (42.2 x 54 cm)
Installation 26 1/2 x 97 in. (67.3 x 246.4 cm)

“Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.” - Hiroshi Sugimoto
—Courtesy …

Read more
Signature
Each signed in pencil on the mount; each with blindstamp title, date, number 15/25 and sequential numbers '450-452' in the margin.
Hiroshi Sugimoto
Japanese, b. 1948
Follow

To craft his exquisite black-and-white images, Hiroshi Sugimoto uses a 19th-century-style, …

Read more

To craft his exquisite black-and-white images, Hiroshi Sugimoto uses a 19th-century-style, large-format camera, exploring his idea of photography as a method for preserving and modeling time. “Endeavors in art are…mere approximations, efforts to render visible unseen realms,” he says. Influenced by Surrealism and Dada

Read more

Baltic Sea, Rügen, 1996

Gelatin silver print triptych.
Bidding closed
Want to sell a work by this artist? Learn more.
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