Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

English Channel, Weston Cliff, 1994

Gelatin silver print, mounted.
16 1/2 × 21 1/5 in
42 × 53.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Provenance
P
Phillips

Please note that this lot is exhibited in a stock frame and is therefore sold unframed.

Please note that this lot is exhibited in a stock frame and is therefore sold unframed.

Signature
Signed in pencil on the mount; blindstamped title, date and number '14/25, 417' in the margin.
Hiroshi Sugimoto
Japanese, b. 1948
Follow

To craft his exquisite black-and-white images, Hiroshi Sugimoto uses a 19th-century-style, large-format camera, exploring his idea of photography as a method for preserving and modeling time. “Endeavors in art are…mere approximations, efforts to render visible unseen realms,” he says. Influenced by Surrealism and Dada, Sugimoto's work is intimately connected to Marcel Duchamp, as in his series "Conceptual Forms" (2004), (inspired by Duchamp's The Large Glass, 1923), large-scale black-and-white photographs of mathematical models and tools. Ongoing subjects include dioramas, theaters, Buddhist sculptures, and seascapes—the latter captured in a famous series of near-abstractions, coupled with specific geographic titles. A supreme craftsman, Sugimoto often varies the length of exposure to achieve tonal richness, as in “Joe” (2006), photographs of Richard Serra’s works that function as visual memories more than documentation. “I imagine my vision then try to make it happen, just like painting,” he says. “The reality is there, but how to make it like my reality.”

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Provenance
P
Phillips

Please note that this lot is exhibited in a stock frame and is therefore sold unframed.

Please note that this lot is exhibited in a stock frame and is therefore sold unframed.

Signature
Signed in pencil on the mount; blindstamped title, date and number '14/25, 417' in the margin.
Hiroshi Sugimoto
Japanese, b. 1948
Follow

To craft his exquisite black-and-white images, Hiroshi Sugimoto uses a 19th-century-style, large-format camera, exploring his idea of photography as a method for preserving and modeling time. “Endeavors in art are…mere approximations, efforts to render visible unseen realms,” he says. Influenced by Surrealism and Dada, Sugimoto's work is intimately connected to Marcel Duchamp, as in his series "Conceptual Forms" (2004), (inspired by Duchamp's The Large Glass, 1923), large-scale black-and-white photographs of mathematical models and tools. Ongoing subjects include dioramas, theaters, Buddhist sculptures, and seascapes—the latter captured in a famous series of near-abstractions, coupled with specific geographic titles. A supreme craftsman, Sugimoto often varies the length of exposure to achieve tonal richness, as in “Joe” (2006), photographs of Richard Serra’s works that function as visual memories more than documentation. “I imagine my vision then try to make it happen, just like painting,” he says. “The reality is there, but how to make it like my reality.”

English Channel, Weston Cliff, 1994

Gelatin silver print, mounted.
16 1/2 × 21 1/5 in
42 × 53.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Hiroshi Sugimoto
Related works
Most Similar