Honoré Daumier, ‘Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations’, 1888, The Metropolitan Museum of Art
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Honoré Daumier

Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations, 1888

10 5/8 in
27 cm
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About the work
The Metropolitan Museum of Art
New York

4 pages of leaves, 383 pages : 12 plates, 1 portrait, illustrations

Medium
Other
Image rights
The Metropolitan Museum of Art, licensed under CC0 1.0 Universal
Honoré Daumier
French, 1808–1879
Follow

The “Michelangelo of caricature,” Honoré Daumier famously satirized France’s bourgeoisie and justice system, and masterfully exposed the misery of the masses through the emerging medium of lithography. Grotesque caricatures of government officials endeared him to the public, although one-too-many scathing renderings of King Louis-Philippe also landed him six months in prison. Thereafter, he stuck to the safer ground of deriding archetypal professionals such as doctors, professors, and especially lawyers and judges, whom he deemed cruel and pretentious. While his output of lithographs and illustrative drawings was most prodigious (circa 4,000 of each), Daumier also sculpted busts of members of parliament and painted religious and historical themes in the naturalist style, including many notable images of Don Quixote riding his horse. These late works were hardly recognized during his lifetime, yet are acclaimed today for their experimental techniques.

Honoré Daumier, ‘Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations’, 1888, The Metropolitan Museum of Art
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Save
Share
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About the work
The Metropolitan Museum of Art
New York

4 pages of leaves, 383 pages : 12 plates, 1 portrait, illustrations
http://www.metmuseum.org/art/collection/search/726678

Medium
Other
Image rights
The Metropolitan Museum of Art, licensed under CC0 1.0 Universal
Honoré Daumier
French, 1808–1879
Follow

The “Michelangelo of caricature,” Honoré Daumier famously satirized France’s bourgeoisie and justice system, and masterfully exposed the misery of the masses through the emerging medium of lithography. Grotesque caricatures of government officials endeared him to the public, although one-too-many scathing renderings of King Louis-Philippe also landed him six months in prison. Thereafter, he stuck to the safer ground of deriding archetypal professionals such as doctors, professors, and especially lawyers and judges, whom he deemed cruel and pretentious. While his output of lithographs and illustrative drawings was most prodigious (circa 4,000 of each), Daumier also sculpted busts of members of parliament and painted religious and historical themes in the naturalist style, including many notable images of Don Quixote riding his horse. These late works were hardly recognized during his lifetime, yet are acclaimed today for their experimental techniques.

Honoré Daumier

Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations, 1888

10 5/8 in
27 cm
Want to sell a work by this artist? Consign with Artsy.
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