Honoré Daumier, ‘Panic of the Lilliputians’, 1851, Harris Schrank Fine Prints
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Honoré Daumier

Panic of the Lilliputians, 1851

Lithograph
10 × 10 7/8 in
25.4 × 27.6 cm
$250
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About the work
Harris Schrank Fine Prints

Honore Daumier (1808-1879), Panic of the Lilliputians, lithograph, 1851, plate 158 from the series …

Medium
Print
Honoré Daumier
French, 1808–1879
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The “Michelangelo of caricature,” Honoré Daumier famously satirized France’s bourgeoisie and justice system, and masterfully exposed the misery of the masses through the emerging medium of lithography. Grotesque caricatures of government officials endeared him to the public, although one-too-many scathing renderings of King Louis-Philippe also landed him six months in prison. Thereafter, he stuck to the safer ground of deriding archetypal professionals such as doctors, professors, and especially lawyers and judges, whom he deemed cruel and pretentious. While his output of lithographs and illustrative drawings was most prodigious (circa 4,000 of each), Daumier also sculpted busts of members of parliament and painted religious and historical themes in the naturalist style, including many notable images of Don Quixote riding his horse. These late works were hardly recognized during his lifetime, yet are acclaimed today for their experimental techniques.

Honoré Daumier, ‘Panic of the Lilliputians’, 1851, Harris Schrank Fine Prints
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About the work
Harris Schrank Fine Prints

Honore Daumier (1808-1879), Panic of the Lilliputians, lithograph, 1851, plate 158 from the series ACTUALITÉS, as published in LE CHARIVARI. Reference: Daumier Register 2120, second state (of 2), with letters (an impression before letters is very rare; the Daumier Register lists only one); a sur blanc impression …

Medium
Print
Honoré Daumier
French, 1808–1879
Follow

The “Michelangelo of caricature,” Honoré Daumier famously satirized France’s bourgeoisie and justice system, and masterfully exposed the misery of the masses through the emerging medium of lithography. Grotesque caricatures of government officials endeared him to the public, although one-too-many scathing renderings of King Louis-Philippe also landed him six months in prison. Thereafter, he stuck to the safer ground of deriding archetypal professionals such as doctors, professors, and especially lawyers and judges, whom he deemed cruel and pretentious. While his output of lithographs and illustrative drawings was most prodigious (circa 4,000 of each), Daumier also sculpted busts of members of parliament and painted religious and historical themes in the naturalist style, including many notable images of Don Quixote riding his horse. These late works were hardly recognized during his lifetime, yet are acclaimed today for their experimental techniques.

Honoré Daumier

Panic of the Lilliputians, 1851

Lithograph
10 × 10 7/8 in
25.4 × 27.6 cm
$250
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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