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Howard Hodgkin

As Time Goes By (red), 2009

Monumental aquatint in colours, with carborundum and hand-painting, on five hand torn sheets of Moulin de Gué paper, the full sheets.
Edition 6/7
Bidding closed
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About the work
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

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Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

overall S. 243.8 x 609.6 cm (95 7/8 x 240 in.)

Medium
Print
Signature
Signed with initials, dated 'MMIX', and numbered 6/7 in pencil (there were also 3 artist's proofs), published by Alan Cristea Gallery, … Read more
Howard Hodgkin
British, b. 1932
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Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

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About the work
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Read more

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

overall S. 243.8 x 609.6 cm (95 7/8 x 240 in.)

Medium
Print
Signature
Signed with initials, dated 'MMIX', and numbered 6/7 in pencil (there were also 3 artist's proofs), published by Alan Cristea Gallery, … Read more
Howard Hodgkin
British, b. 1932
Follow

Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

Howard Hodgkin

As Time Goes By (red), 2009

Monumental aquatint in colours, with carborundum and hand-painting, on five hand torn sheets of Moulin de Gué paper, the full sheets.
Edition 6/7
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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